{"title":"Peavey — Amplifiers","description":null,"products":[{"product_id":"peavey-6505-series-212-6-2x12-guitar-speaker-cabinet","title":"Peavey 6505 Series 212-6 2x12 Guitar Speaker Cabinet","description":"\u003ch1\u003ePeavey 6505 Series 212-6 2x12 Guitar Speaker Cabinet\u003c\/h1\u003e\n\u003cp\u003eThe Peavey 6505 Series 212-6 is the cabinet built to keep up with the amp that defined heavy guitar. Two Celestion Greenback 25s in an 18mm plywood box, wrapped in black tolex with white piping and a Peavey logo across the grille — it looks like it belongs under a 6505 head because it does. Fifty watts of power handling, a convertible back panel and a stereo\/mono input cup make it as useful in a rehearsal room as it is on a stage.\u003c\/p\u003e\n\u003ch2\u003eTwo Celestion Greenback 25s\u003c\/h2\u003e\n\u003cp\u003eThe Greenback is the speaker most players picture when they think of British-voiced 12-inch drivers — chewy in the midrange, softening at the top rather than turning brittle, and quick to break up in a way that flatters high-gain playing. A pair of them handles 50 watts between them, so the speakers themselves become part of what you hear rather than sitting there politely reproducing the amp. Run a modern high-gain head into this cabinet and the aggression lands with weight instead of fizz.\u003c\/p\u003e\n\u003ch2\u003eConvertible open or closed back\u003c\/h2\u003e\n\u003cp\u003eThe rear panel comes off. Closed, the 212-6 pushes a tight, focused low end that sits well in a dense mix and holds together under heavy palm muting. Open it up and the cabinet breathes — more room sound, a wider spread across the stage, and a looser bottom end that suits classic rock and blues far better than a sealed box does. It is two cabinets for the price of one, and the change takes a screwdriver and a couple of minutes.\u003c\/p\u003e\n\u003ch2\u003eStereo or mono, your call\u003c\/h2\u003e\n\u003cp\u003eThe recessed input cup on the back carries a left input and a right output with a slide switch between them. Flick it to mono and the cabinet presents a single 16-ohm load to your amp. Flick it to stereo and each speaker takes its own 8-ohm feed, which is exactly what you want for a wet\/dry rig, a stereo modeller, or a pair of amps run in tandem. The jacks are recessed into the panel so nothing snags when the cabinet goes into the back of a van.\u003c\/p\u003e\n\u003ch2\u003eBuilt to be moved\u003c\/h2\u003e\n\u003cp\u003e18mm plywood is the reason this cabinet sounds solid and the reason it survives being loaded in and out week after week. Metal corner protectors take the knocks, a strap handle sits on top for the lift, and rubber feet keep it planted on a raked stage without walking forward every time the low E rings out. The white piping around the grille is a small thing, but it is what makes a black cabinet read as deliberate rather than plain.\u003c\/p\u003e\n\u003ch2\u003eWhere it fits\u003c\/h2\u003e\n\u003cp\u003ePair it with a 6505MH or a 6505 1992 Original and you have a matched half-stack that punches well above a 2x12's footprint. It works just as well under a modern modeller or any 16-ohm-capable head, and the 50-watt rating is honest — this is a cabinet for rehearsal rooms, clubs and miked stages rather than an arena backline. If you want the 6505 sound without the 4x12 and the hernia, this is the cabinet.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003ePEAVEY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003e212-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eSeries\u003c\/th\u003e\n\u003ctd\u003e6505 Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eType\u003c\/th\u003e\n\u003ctd\u003eGuitar speaker cabinet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eSpeaker Configuration\u003c\/th\u003e\n\u003ctd\u003e2 x 12\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eSpeakers\u003c\/th\u003e\n\u003ctd\u003eCelestion Greenback 25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003ePower Handling\u003c\/th\u003e\n\u003ctd\u003e50 watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd\u003e2 x 8 ohms stereo \/ 16 ohms mono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eConnections\u003c\/th\u003e\n\u003ctd\u003eStereo\/mono input cup, left input and right output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eCabinet Construction\u003c\/th\u003e\n\u003ctd\u003e18mm plywood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eBack Panel\u003c\/th\u003e\n\u003ctd\u003eConvertible open back \/ closed back\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eCovering\u003c\/th\u003e\n\u003ctd\u003eBlack tolex\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eGrille\u003c\/th\u003e\n\u003ctd\u003eBlack cloth with white piping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eHardware\u003c\/th\u003e\n\u003ctd\u003eMetal corner protectors, rubber feet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eHandle\u003c\/th\u003e\n\u003ctd\u003eTop strap handle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eWeight (unpacked)\u003c\/th\u003e\n\u003ctd\u003e19.78 kg (43.6 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eWeight (packed)\u003c\/th\u003e\n\u003ctd\u003e22.14 kg (48.8 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003ePacked Dimensions (W x H x D)\u003c\/th\u003e\n\u003ctd\u003e56.52 x 83.82 x 40.64 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Peavey","offers":[{"title":"Default Title","offer_id":52619882004770,"sku":"PV2126","price":1019.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/PV2126_2__30157.1787116764.1280.1280.jpg?v=1790234781"},{"product_id":"peavey-6505-1992-original-120-watt-valve-guitar-amp-head","title":"Peavey 6505 1992 Original 120-Watt Valve Guitar Amp Head","description":"\u003ch1\u003ePeavey 6505 1992 Original 120-Watt Valve Guitar Amp Head\u003c\/h1\u003e\n\u003cp\u003eThirty years on from the amp that gave heavy guitar its voice, Peavey has gone back to the original recipe. The 6505 1992 Original is a faithful reissue of the head that ended up on more metal and hardcore records than almost anything else — five 12AX7s, four 6L6GCs, 120 watts, and a lead channel with more gain than most players will ever need. Same layout, same attitude, and a new output transformer built specifically to put the midrange back where it was in 1992.\u003c\/p\u003e\n\u003ch2\u003eWhy the transformer matters\u003c\/h2\u003e\n\u003cp\u003eThe 6505 circuit barely changed across three decades, but the parts around it quietly did. Suppliers changed hands, manufacturing processes drifted, and the amps drifted with them — most audibly in the output transformer, which is where a great deal of an amp's midrange character actually lives. Peavey went back through the amp component by component, A\/B'd it against original units, and had a transformer made to match the early spec. That is the difference between a reissue that wears the badge and one that behaves like the amp it claims to be.\u003c\/p\u003e\n\u003ch2\u003eThe lead channel\u003c\/h2\u003e\n\u003cp\u003eThis is what the 6505 is famous for. Pre-gain and post-gain on their own controls let you set how hard the preamp is driven independently of how loud the amp is, so you can find the saturation you want at rehearsal volume and keep it at gig volume. The gain structure is tight and fast, with enough compression to make fast right-hand work sit evenly and enough clarity that chugging on the low string stays a note rather than a rumble. Wind the pre-gain past halfway and you are in the territory that made this amp a genre standard.\u003c\/p\u003e\n\u003ch2\u003eThe rhythm channel\u003c\/h2\u003e\n\u003cp\u003eThe rhythm side is not an afterthought clean channel. It has its own pre-gain and post-gain, plus bright and crunch switches that take it from a glassy, headroom-heavy clean to a genuinely dirty crunch that stands on its own for rock rhythm work. Both channels share the three-band EQ, which is exactly how the original was laid out and part of why the amp is quick to dial in — you set the EQ once and the two channels stay related to each other instead of fighting.\u003c\/p\u003e\n\u003ch2\u003ePresence, resonance and the power section\u003c\/h2\u003e\n\u003cp\u003eFour 6L6GC valves produce 120 watts, switchable across 16, 8 and 4 ohms so the amp is happy with a single 2x12 or a pair of 4x12s. The power amp gets its own presence and resonance controls, which shape the top-end bite and the low-end thump after the EQ rather than before it. Resonance is the control that turns a tight amp into a heavy one — small movements there make a large difference to how the cabinet moves air.\u003c\/p\u003e\n\u003ch2\u003eBuilt for the road\u003c\/h2\u003e\n\u003cp\u003eHigh and low gain inputs let you match the amp to hot pickups or vintage-output ones without touching the gain controls. There is a footswitchable post-EQ effects loop, a preamp output for running into a power amp or a recording chain, and a universal AC input selector. The footswitch is in the box, so channel switching and the loop are under your foot from day one. The rest is a tolex-covered plywood shell, metal corners and a strap handle — the same construction that kept these amps working through decades of touring.\u003c\/p\u003e\n\u003ch2\u003eWho it is for\u003c\/h2\u003e\n\u003cp\u003eIf you play anything heavy and you want the actual thing rather than a modeller's approximation of it, this is the amp. It is loud, it is uncomplicated, and it does one job better than almost anything else ever has. Run it into a 212-6 for a manageable half-stack, or into a 4x12 if you want the full picture.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003ePEAVEY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003e6505 1992 Original\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eSeries\u003c\/th\u003e\n\u003ctd\u003e6505 Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eType\u003c\/th\u003e\n\u003ctd\u003eValve guitar amplifier head\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003ePower Output\u003c\/th\u003e\n\u003ctd\u003e120 watts RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eSpeaker Impedance\u003c\/th\u003e\n\u003ctd\u003e16, 8 or 4 ohms (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003ePreamp Valves\u003c\/th\u003e\n\u003ctd\u003e5 x 12AX7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003ePower Valves\u003c\/th\u003e\n\u003ctd\u003e4 x 6L6GC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eChannels\u003c\/th\u003e\n\u003ctd\u003eTwo (rhythm and lead), footswitchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eRhythm Channel\u003c\/th\u003e\n\u003ctd\u003ePre-gain, post-gain, bright and crunch switches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eLead Channel\u003c\/th\u003e\n\u003ctd\u003ePre-gain, post-gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eEqualisation\u003c\/th\u003e\n\u003ctd\u003eThree-band (low, mid, high), shared by both channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003ePower Amp Controls\u003c\/th\u003e\n\u003ctd\u003ePresence, resonance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eInputs\u003c\/th\u003e\n\u003ctd\u003eHigh gain and normal gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eEffects Loop\u003c\/th\u003e\n\u003ctd\u003ePost-EQ, footswitchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eAdditional Outputs\u003c\/th\u003e\n\u003ctd\u003ePreamp output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eFootswitch\u003c\/th\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eMains\u003c\/th\u003e\n\u003ctd\u003eUniversal AC input selector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align: left;\"\u003eFront Panel\u003c\/th\u003e\n\u003ctd\u003eStandby and power switches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Peavey","offers":[{"title":"Default Title","offer_id":52619882070306,"sku":"PV6505ORIG","price":2249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/PV6505ORIG_2__29487.1787116776.1280.1280.jpg?v=1790234781"},{"product_id":"peavey-6505mh-mini-20-watt-valve-guitar-amp-head","title":"Peavey 6505MH Mini 20-Watt Valve Guitar Amp Head","description":"\u003ch1\u003ePeavey 6505MH Mini 20-Watt Valve Guitar Amp Head\u003c\/h1\u003e\n\n\u003cp\u003eThe 6505MH is the full-sized 6505 shrunk into a head you can carry in one hand. Three 12AX7s and a pair of EL84s do the work, the two-channel layout mirrors its big brother almost knob for knob, and a three-way power attenuator drops it from 20 watts to 5 or 1 so you can push the valves properly in a bedroom. Add reverb, a buffered effects loop, an XLR mic-simulated output and USB recording, and it becomes the most portable way to get this amp's aggression onto a stage or into a session.\u003c\/p\u003e\n\n\u003ch2\u003eAll valve, all the way through\u003c\/h2\u003e\n\u003cp\u003eThere is no modelling here and no solid-state power section pretending otherwise. Three 12AX7\/ECC83 valves handle the preamp and two EL84s handle the output, which is what gives the 6505MH its compression and the way notes bloom when you dig in. Peavey's T.S.I. circuit keeps an eye on both power valves and lights an indicator if one drifts out of spec, so you find out about a failing valve on the bench rather than three songs into a set.\u003c\/p\u003e\n\n\u003ch2\u003eTwo channels from the same family\u003c\/h2\u003e\n\u003cp\u003eRhythm and lead each get their own pre-gain and post-gain, and both share the three-band EQ — the same arrangement as the full-sized 6505, and the reason this amp is instantly familiar if you have played one. The rhythm channel adds bright and crunch buttons for everything from a clean platform to a dirty rock rhythm sound, and there is a footswitchable boost on tap when a section needs to step forward. The lead channel does what a 6505 lead channel does: tight, saturated and unmistakable.\u003c\/p\u003e\n\n\u003ch2\u003e20, 5 or 1 watt\u003c\/h2\u003e\n\u003cp\u003eThe attenuator on the back panel is the feature that makes this amp genuinely useful rather than just small. Twenty watts of EL84 power is plenty for a rehearsal room or a miked club stage. Drop it to five and you can drive the power section hard at a volume that will not clear the room. Drop it to one and you can get the amp working properly at eleven at night. The character stays consistent across all three settings — you are trading headroom, not sound.\u003c\/p\u003e\n\n\u003ch2\u003eRecord and go direct\u003c\/h2\u003e\n\u003cp\u003ePeavey's MSDI mic-simulated direct interface puts a balanced XLR on the back with a ground-lift switch, so front of house can take a feed without a microphone in front of a cabinet. A USB output sends the same simulated signal straight into a computer for recording. The speaker-defeat switch lets you run the amp silently into either of those outputs or into the headphone jack, which means late-night practice and direct recording without a cabinet in the room at all.\u003c\/p\u003e\n\n\u003ch2\u003eEverything else you need on the back\u003c\/h2\u003e\n\u003cp\u003eA buffered effects loop with send and return sits post-EQ, and two separate footswitch jacks split the duties — one for channel and boost, one for reverb and loop — so you can switch exactly what you want mid-song. The speaker output handles 16 or 8 ohm cabinets, and the voltage selector means the amp travels. Reverb is built in and footswitchable, which is more than most amps this size bother with.\u003c\/p\u003e\n\n\u003ch2\u003eWho it is for\u003c\/h2\u003e\n\u003cp\u003eAnyone who wants the 6505 sound without the weight, the volume or the price of the full head. It is a serious rehearsal and recording amp, a credible small-stage amp, and at 7.5 kg it fits in the boot with the guitar. Pair it with the 212-6 cabinet for a matched mini half-stack.\u003c\/p\u003e\n\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003ePEAVEY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003e6505MH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eSeries\u003c\/th\u003e\n\u003ctd\u003e6505 Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eType\u003c\/th\u003e\n\u003ctd\u003eValve guitar amplifier head\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower Output\u003c\/th\u003e\n\u003ctd\u003e20 watts RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower Attenuator\u003c\/th\u003e\n\u003ctd\u003e20 W \/ 5 W \/ 1 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eSpeaker Impedance\u003c\/th\u003e\n\u003ctd\u003e16 or 8 ohms (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePreamp Valves\u003c\/th\u003e\n\u003ctd\u003e3 x 12AX7\/ECC83\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower Valves\u003c\/th\u003e\n\u003ctd\u003e2 x EL84\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eChannels\u003c\/th\u003e\n\u003ctd\u003eTwo, footswitchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eRhythm Channel\u003c\/th\u003e\n\u003ctd\u003ePre-gain, post-gain, bright and crunch buttons, footswitchable boost\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eLead Channel\u003c\/th\u003e\n\u003ctd\u003ePre-gain, post-gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEqualisation\u003c\/th\u003e\n\u003ctd\u003eThree-band (low, mid, high), shared by both channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower Amp Controls\u003c\/th\u003e\n\u003ctd\u003ePresence, resonance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eReverb\u003c\/th\u003e\n\u003ctd\u003eBuilt in, footswitchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEffects Loop\u003c\/th\u003e\n\u003ctd\u003eBuffered, footswitchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDirect Output\u003c\/th\u003e\n\u003ctd\u003eMSDI mic-simulated XLR with ground lift\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eUSB\u003c\/th\u003e\n\u003ctd\u003eMic-simulated USB record output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHeadphone Output\u003c\/th\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eSpeaker Defeat\u003c\/th\u003e\n\u003ctd\u003eSwitchable for silent operation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eValve Monitoring\u003c\/th\u003e\n\u003ctd\u003eT.S.I. tube status indication\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFootswitch Jacks\u003c\/th\u003e\n\u003ctd\u003eChannel\/boost and reverb\/loop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eMains\u003c\/th\u003e\n\u003ctd\u003eVoltage selector, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eWeight\u003c\/th\u003e\n\u003ctd\u003e7.55 kg (16.64 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Peavey","offers":[{"title":"Default Title","offer_id":52619882365218,"sku":"PV6505MH","price":1189.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/PV6505MH_1__18289.1787116783.1280.1280.jpg?v=1790234784"}],"url":"https:\/\/guitar.com.au\/collections\/gw-amplifiers-peavey.oembed","provider":"Guitar World","version":"1.0","type":"link"}