{"title":"PA \u0026 Live Sound","description":"","products":[{"product_id":"rode-m1-live-performance-dynamic-microphone","title":"Rode M1 Live Performance Dynamic Microphone","description":"\u003cp\u003eThe Rode M1 live performance dynamic microphone, with its eye-catching and hard-wearing satin black finish and a steel mesh head is a popular choice among live performers. While the M1 can be used for just about any instrument (percussion, snare drum kick drum or toms) it is best known as one of the best live vocal microphones, with a cardioid polar pattern, robust construction and high-power neodymium capsule. The body of the M1 microphone is built for comfort with great balance, weight ratio and low handling noise.Dynamic Acoustic Principle | Cardioid Polar Pattern | End Address Type | Freq. Range; 75Hz - 18kHz | Output Impedance: 320O | Sensitivity: -56dB re 1 Volt\/Pascal (1.60mV @ 94 dB SPL) +\/- 2 dB @ 1kHz | Power Options: P48 or P24 | Weight: 360g | Dimensions: 171mm(H) x 51.5mm(W) x 51.5mm(D) | XLR Output\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619545018658,"sku":"M1","price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODM1__79785__62532__05156__96941.1506426737.1280.1280_67b27f89-c707-44af-b1b9-96f7118c1a43.jpg?v=1790231263"},{"product_id":"rode-ntg2-multi-powered-condenser-video-shotgun-microphone","title":"Rode NTG2 Multi Powered Condenser Video Shotgun Microphone","description":"\u003cp\u003eThe Rode NTG2 Multi Powered Condenser Video Shotgun Microphone is extremely lightweight that makes it an ideal boom microphone and is designed for professional applications within the film, video, television and production industries. With Its full frequency response, low noise and audio transparency making it an ideal film, video, and voice over microphone and the NTG2 native 20Hz-20kHz response with a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. The NTG2 operates either from an AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications which are also available from Guitar World .Acoustic Principle Line Gradient | Active Electronics JFET impedance convertor with balanced transformer output | Capsule 0.50\" | Polar Pattern Supercardioid | Address Type End | Frequency Range 20Hz - 20kHz | Output Impedance 250O | Maximum SPL 131dB SPL (@ 1kHz, 1% THD into 1KO load) | Maximum Output Level 6.9dBu (@ 1kHz, 1% THD into 1KO load) | Sensitivity -36.0dB re 1 Volt\/Pascal (15.00mV @ 94 dB SPL) +\/- 2 dB @ 1kHz | Power Options +48V phantom powerAA Battery | Weight 161.00gm | Dimensions 280.00mmH x 22.00mmW x 22.00mmD | Output XLR Output\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619545215266,"sku":null,"price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODNTG2__21018__81127__19304__36209.1506438164.1280.1280_70012388-f147-48fd-bc59-1ac7a19f44ce.jpg?v=1790231266"},{"product_id":"rode-videomic-directional-on-camera-microphone","title":"Rode VideoMic Directional On-camera Microphone","description":"\u003cp\u003eThe Rode VideoMic Directional On-camera Microphone has been designed to be used with personal audio recorders and consumer video cameras. To help eliminate unwanted outside vibrations and noises when recording, the VideoMic has a Rycote Lyre shock mounting system that quarantines the VideoMic capsule and electronics from its all-metal shoe mount. The super cardioid polar pattern is extremely directional so it focuses on the subject in front of the camera, further reducing any nearby sounds. The shoe mount has a 3\/8\" thread which can easily be mounted on most stands or boom poles.Line Gradient Acoustic Principle | JFET impedance converter | 0.50\" Capsule | Supercardioid Polar Pattern | End Address Type | Freq. Range; 40Hz - 20kHz | Output Impedance: 200O | Max. SPL: 134dB SPL (@ 1kHz, 1% THD into 1KO load) | Sensitivity: -38dB re 1 Volt\/Pascal (12.60mV @ 94 dB SPL) +\/- 2 dB @ 1kHz | Power Options: 9V | Weight: 176g | Dimensions: 65mm(H) x 102mm(W) x 250mm(D) | 3.5 Output\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619545248034,"sku":"SVMPR","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODVM__56104__97182__05726__75644.1506553002.1280.1280_32bbcb13-029b-47f7-82c3-7db40dca5cdc.jpg?v=1790231266"},{"product_id":"rode-videomic-pro-directional-on-camera-microphone","title":"Rode VideoMic Pro Directional On-camera Microphone","description":"\u003ch1 class=\"product-name mb-1\"\u003eVideoMic Pro\u003c\/h1\u003e\n\u003ch2 class=\"product-tagline mb-5\"\u003eDirectional On-camera Microphone\u003c\/h2\u003e\n\u003cdiv class=\"product-summary-text mt-5\"\u003e\n\u003cp\u003eThe VideoMic Pro is a professional-grade on-camera microphone designed to deliver exceptional audio in a wide range of recording applications. Compact, lightweight, and super versatile, there's a reason it's become the industry standard microphone for vloggers, filmmakers, and content creators.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional-quality on-camera condenser microphone\u003c\/li\u003e\n\u003cli\u003eSupercardioid polar pattern for capturing focused, directional audio\u003c\/li\u003e\n\u003cli\u003eSuper lightweight (only 85g)\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter and three-stage gain control\u003c\/li\u003e\n\u003cli\u003ePowered by 9v battery with over 70 hours use\u003c\/li\u003e\n\u003cli\u003eIntegrated Rycote® Lyre® shock mounting for superior isolation from handling noise\u003c\/li\u003e\n\u003cli\u003eHigh-quality windshield for recording outdoors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eStep Up Your Audio Game\u003c\/h4\u003e\n\u003cp\u003eWith its broadcast-grade condenser capsule and tight supercardioid polar pattern, the VideoMic Pro delivers high-quality directional audio that is the industry standard. It's the perfect microphone for vloggers, filmmakers and content creators looking to seriously step up their audio game. \u003c\/p\u003e\n\u003ch4\u003eAlways Ready to Adapt\u003c\/h4\u003e\n\u003cp\u003eThe VideoMic Pro offers a range of useful features to help you adapt to your recording situation. This includes a high-pass filter for minimising low-end rumble caused by environmental noise like traffic and air conditioners and a three-stage gain control for ensuring your recording levels are perfect every time you shoot. The VideoMic Pro is powered by two AA batteries, which provide over 70 hours of charge.\u003c\/p\u003e\n\u003cdiv class=\"text-center spec_types\"\u003e\n\u003ch4 class=\"spec_type_name\"\u003eAcoustic \u0026amp; Electrical Specifications\u003c\/h4\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv data-index=\"0\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eAcoustic Principle\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003eLine Gradient\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"1\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eActive Electronics\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003eJFET impedance converter\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"2\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eCapsule\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e0.50\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"3\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eAddress Type\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003eEnd\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"4\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eFrequency Range\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e40Hz - 20kHz (selected HPF @80)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"5\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eOutput Impedance\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e200Ω\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"6\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eMaximum SPL\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e134dB SPL\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"7\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eMaximum Output Level\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e6.9mV (@ 1kHz, 1% THD into 1KΩ load)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"8\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eSensitivity\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e-32.0dB re 1 Volt\/Pascal (20.00mV @ 94 dB SPL) +\/- 2 dB @ 1kHz\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"9\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eEquivalent Noise Level (A-Weighted)\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e14dBA\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cdiv data-index=\"10\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eAcoustic Principle\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e100 (H) x 75 (W) x 170 (D)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-center spec_types\"\u003e\n\u003ch4 class=\"spec_type_name\"\u003eMechanical Specifications\u003c\/h4\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv data-index=\"0\"\u003e\n\u003cdiv class=\"d-flex align-top\"\u003e\n\u003cdiv class=\"spec_name col-6 text-left font-inter-semibold\"\u003eWeight (g)\u003c\/div\u003e\n\u003cdiv class=\"spec_value col-6 text-left\"\u003e85\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619545280802,"sku":"VMPR","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/R_2525C3_252598DE_VideoMic_Pro_3_QUARTER_RIGHT_BACK-1080x1080-rgb__74861.1650397242.1280.1280_bc446d5c-7c64-4472-86b7-0baa7c840d75.png?v=1790231266"},{"product_id":"rode-professional-3-3m-microphone-boompole","title":"Rode Professional 3.3m Microphone Boompole","description":"\u003cp\u003e\u003cstrong\u003eRode Professional 3.3m Microphone Boompole Guitar World Australia Ph 07 55962588\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGuitar World has a large range of Mic accessories for all your needs and The Rode Boompole is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium. The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33\") to 3m (10')Weight 940.00gm | Dimensions 3300.00mmH x 40.00mmW x 40.00mmD\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619545313570,"sku":"BOOMPOLEPRO","price":377.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODBP__75664__22827__49219__83021.1506584113.1280.1280_240ab0d5-9a36-40a1-b13d-2276542ac965.jpg?v=1790231269"},{"product_id":"rode-ixy-iphone-ipad-stereo-microphone","title":"Rode iXY iPhone\/iPad Stereo Microphone","description":"\u003cp\u003eThe Rode iXY is the ultimate recording microphone for your Apple Device, with up to 24-bit\/96k*, recording and on-board high-fidelity A\/D conversion, your iXY recordings are rich, smooth and accurate. At the heart of the iXY is a matched pair of ½” cardioid condenser capsules, fixed in a perfect 90 degree ‘near-coincident’ alignment. This results in immersive and true-to-life stereo recordings, captured in incredibly high detail.Acoustic Principle: Pressure Gradient | Capsule: 0.50\" | Polar Pattern: Cardioid | Address Type: End | Frequency Range: 20Hz - 20kHz | Maximum SPL: 120dB SPL (@ 1kHz, 1% THD into 1KO load) | Sensitivity: -42.0dB re 1 Volt\/Pascal (8.52mV @ 94 dB SPL) +\/- 2 dB @ 1kHz | Equivalent Noise Level (A-weighted): 18dB-A | Power Options: Powered by iOS device | Weight: 40.00gm | Dimensions: 46.00mmH x 55.00mmW x 40.00mmD | Warranty: 1 year\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619546329378,"sku":null,"price":179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODIXY__78390__78370__12705__14254.1506543991.1280.1280_64a4b424-171d-45ad-9ab1-03a893605326.jpg?v=1790231272"},{"product_id":"rode-m3-multi-powered-condenser-microphone","title":"Rode M3 Multi Powered Condenser Microphone","description":"\u003cp\u003eThis Rode M3 is an extremely versatile condenser microphone which can be powered by a 9V battery or phantom power and is perfect for use on stage, in the studio or in the field location. This mic features a heavy duty metal body and internally shock mounted 1\/2\" condenser capsule mounted for end-address and is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter microphone. The versatility of this mic comes from the -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or drum and a high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise. The Rode M2 is covered by Rode Microphones' industry leading 10 year warranty.Acoustic Principle Pressure Gradient | Active Electronics JFET impedance converter with bipolar output buffer | Capsule 0.50\" | Polar Pattern Cardioid | Address Type End | Frequency Range 40Hz - 20kHz (selected HPF @ 80Hz) | Output Impedance 200O | Maximum SPL 142dB SPL (@ 1kHz, 1% THD into 1KO load) | Maximum Output Level 9.2dBu (@ 1kHz, 1% THD into 1KO load) | Sensitivity -40.0dB re 1 Volt\/Pascal (6.30mV @ 94 dB SPL) +\/- 2 dB @ 1kHz | Power Options +48V phantom power9V Battery | Weight 390.00gm | Dimensions 225.00mmH x 33.00mmW x 33.00mmD | Output XLR Output\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619547902242,"sku":"M3","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODM3__97931__82755__49727__89404.1506544007.1280.1280_e4733177-bedf-42a0-a7eb-7da6d95843fa.jpg?v=1790231272"},{"product_id":"rode-procaster-broadcast-quality-dynamic-microphone","title":"Rode Procaster Broadcast Quality Dynamic Microphone","description":"\u003cp\u003eNot only is the Rode Procaster a professional broadcast quality dynamic microphone that is specifically designed to offer no-compromise performance for voice applications in the broadcast environment but it is also perfect for every application where a great sounding, robust microphone with superior ambient noise rejection is demanded. The Procaster features an internal pop filter, designed to minimise plosives sounds and Its high output dynamic capsule and balanced low impedance output make it an ideal broadcast and voice over microphone. The Procaster includes a sturdy RM2 microphone ring mount. For professional applications the optional PSM1 shock mount and PSA1 boom arm are highly recommended which you can also get from Guitar World .Acoustic Principle Dynamic | Polar Pattern Cardioid | Address Type End | Frequency Range 75Hz - 18kHz | Output Impedance 320O | Sensitivity -56.0dB re 1 Volt\/Pascal (1.60mV @ 94 dB SPL) +\/- 2 dB @ 1kHz | Weight 745.00gm | Dimensions 214.00mmH x 53.00mmW x 53.00mmD | Output XLR Output\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619547935010,"sku":"PROCASTER","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1-RODPROCASTER__67679__49010__92761__26294.1506511647.1280.1280_45fa5b9a-22b3-45e8-9daf-0aa0044e72b0.jpg?v=1790231273"},{"product_id":"akg-c214-large-diaphragm-cardioid-condenser-microphone","title":"AKG C214 Large-diaphragm Cardioid Condenser Microphone","description":"\u003ch2\u003eLegendary AKG Sound\u003c\/h2\u003e\n\u003cdiv class=\"webtext-block webtext-block--mixed-content\"\u003e\n\u003cp\u003eThe AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!\u003c\/p\u003e\n\u003ch2\u003eA versatile addition to any mic locker\u003c\/h2\u003e\n\u003ch3\u003eIncredible dynamic range\u003c\/h3\u003e\n\u003cp\u003eThe AKG C214 delivers AKG's classic large-diaphragm sound - and it's also capable of an impressive 143dB dynamic range for uncompressed, natural transients.\u003c\/p\u003e\n\u003ch3\u003eUse it on a variety of sources\u003c\/h3\u003e\n\u003cp\u003eIf you want a premium vocal mic, you've found it with the AKG C214. And while it's well worth the investment for that quality alone, you'll find that the C214 performs just as well on a variety of instruments. Thanks to its switchable 20dB attenuation pad and low-cut filter, the C214 can be used in sound fields as high as 156dB SPL - you can use it onstage for close miking loud applications such as drum overheads, guitar amps, or high-output brass. Whatever your needs, the C214 is an excellent mic to have on your side.\u003c\/p\u003e\n\u003ch2\u003eQuality AKG Construction\u003c\/h2\u003e\n\u003cp\u003eAKG mics are engineered from the ground up to truly perform. The C214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. Plus, the double mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting the mic's acoustical performance. This is one roadworthy mic, too - the C214 features a modern scratch-resistant finish, dent-resistant metal grille, and gold-plated XLR output.\u003c\/p\u003e\n\u003ch2\u003eAKG C214 Features:\u003c\/h2\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003eCapsule: 1\" large diaphragm condenser\u003c\/li\u003e\n\u003cli\u003eSensitivity: 20 mV\/Pa (-34 dBV)\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 to 20,000Hz\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: 13dB-A (IEC 60268-4)\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003eMax. SPL: 136\/156dB SPL (0\/20dB Pad)\u003c\/li\u003e\n\u003cli\u003eDynamic range: 123\/143dB-A (0\/20dB Pad)\u003c\/li\u003e\n\u003cli\u003eLow-cut filter: 160Hz, 6dB\/Octave, switchable\u003c\/li\u003e\n\u003cli\u003eAttenuation pad: 20dB, switchable\u003c\/li\u003e\n\u003cli\u003ePatents: AT 395.225, DE 4.103.784, JP 2.815.488\u003c\/li\u003e\n\u003cli\u003eDimensions: 160 x 55 mm (6.3 x 2.2 in.)\u003c\/li\u003e\n\u003cli\u003eNet\/shipping weight: 280\/1450 g (0.62 \/ 3.22 lbs)\u003c\/li\u003e\n\u003cli\u003eIncluded accessories: H 85 Shockmount, W 214 Windscreen, Metal Carrying Case\u003c\/li\u003e\n\u003cli\u003eRequires +12V to +52V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619562647842,"sku":"C214","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/37248-akg-c214-large__81877__23540__84367__73366.1506537457.1280.1280_2be2c868-471b-4c82-8c79-8984ccc46c10.jpg?v=1790231312"},{"product_id":"akg-c214st-large-diaphragm-cardioid-condenser-microphone-matched-pair","title":"AKG C214ST Large-diaphragm Cardioid Condenser Microphone Matched Pair","description":"\u003cp\u003eThe AKG C 214 Matched Stereo Pair gives you two great microphones that are factory matched for optimum stereo sound capture. Each of the mics in this C 214 Matched Stereo Pair actually uses the same one-inch dual-capsule as AKG's legendary C 414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C 414 B-XLS. Great for studio use, the C 214 Matched Stereo Pair is built to handle live work, too! The C214 Matched Pair Stereo Set Package includes: 2 x C214 2 x Elastic spider suspensions 2 x SA60 stand adapter 2 x Windscreen 1 x Aluminum carrying case Measurement documents\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619563303202,"sku":"C214ST","price":2099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/1600-c214st_detail10__95951__88308__97949__87901.1506540709.1280.1280_49bd80ee-d216-4da1-975d-a52a56e0d4a1.jpg?v=1790231313"},{"product_id":"akg-c451b-small-diaphragm-cardioid-condenser-microphone","title":"AKG C451B Small-diaphragm Cardioid Condenser Microphone","description":"\u003cp\u003eA Classic AKG Microphone Reborn!! The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. Though the original C 451 mic ended production many years ago, it's still an extremely popular staple in studios all over the world. The enduring popularity of the C 451 inspired AKG to bring this mic back in the C 451 B.With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions. Sound of the legendary C451 EB + CK1 capsule from 1969delivers stunning sound quality with maximum accuracy Established tour sound standard since the 1980sfor excellent sound quality even under harsh on-stage conditions Impressive sound pressure level capability of 155dB SPLallows close-miking of high-energy sound sources without distortion Highly effective high-pass filter with 12dB\/octaveprevents low-end distortion caused by rumble or wind noise Transformerless preamp and surface mount technologyprovides extremely low distortion, highest reliability and less weight Technical Specification General Audio Frequency bandwidth 20 to 20000 Hz Sensitivity 9 mV\/Pa Equivalent Noise Level 18 dB-A Signal to Noise 76 dB-A Preattenuation Pad -10-20 dB Bass Cut Filter 75150 Hz Electrical Impedance 200 Ohms Recommended Load Impedance 1000 Ohms\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619563335970,"sku":"C451B","price":949.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/61-vwsgexql._sl1500__1__32379__29065__57153__83290.1506540725.1280.1280_65698626-8de1-45a7-88aa-3cefb0bb4f2b.jpg?v=1790231314"},{"product_id":"akg-c451bst-small-diaphragm-matched-stereo-microphones-pair","title":"AKG C451BST Small-diaphragm Matched Stereo Microphones (Pair)","description":"\u003cp\u003eWhat a perfect sounding set of twins!! The C451 B is a reference small-diaphragm condenser microphone. With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of its predecessor, the legendary C451 EB + CK1 capsule. The roadworthy design around the handcrafted capsule and the low-noise pre-amp electronics ensure impressive results even under very harsh conditions. Selected from thousands of individual microphones, both microphones of the matched pair show a maximum variance of 1 dB at the frequency response and have identical sensitivity. Tech Specs Microphone Type Condenser Mono\/Stereo Stereo Pair Polar Pattern Cardioid Frequency Response 20Hz-20kHz Max SPL 135dB SPL (0.5% THD); 155dB SPL w\/Pad Output Impedance 200 ohms Signal to Noise Ratio 76dB Self Noise 18dB (A weighted) Low Cut Filter 75Hz and 150Hz, -12dB\/octave Pads -10dB, -20dB Color Silver Connector XLR Weight .27 lb.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619563991330,"sku":"C451BST","price":2599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/c451bst-xlarge__33514__93053__23024__02564.1506462116.1280.1280_75b17327-2895-4192-bf12-bb190ece45f1.jpg?v=1790231315"},{"product_id":"akg-c414-xls-large-diaphragm-condenser-microphone-with-nine-switchable-polar-patterns","title":"AKG C414 XLS Large-diaphragm Condenser Microphone with Nine Switchable Polar Patterns","description":"\u003cp\u003eAKG's legendary C414 is a microphone that needs no introduction - it's been a valuable tool found in recording studios the world over and has been used on thousands of hit records, stages and productions. The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. Tech Specs Microphone Type Condenser Polar Pattern Omni, Wide Cardioid, Cardioid, Hypercardioid, Figure-8 and 4 Intermediate Settings Diaphragm Size 1\" (25.4mm) Frequency Response 20Hz-20kHz Max SPL 140dB SPL (0.5% THD); 158dB SPL w\/18dB Pad Output Impedance 200 ohms Signal to Noise Ratio 88dB (A weighted) Self Noise 6dB (A weighted) Low Cut Filter 40Hz and 80Hz, -12dB\/octave; 160Hz, -6dB\/octave Pads -6dB, -12dB, -18dB Color Dark Grey\/Silver Connector XLR Weight .66 lb. Included Accessories SA60 Stand mount, H85 Shock mount, PF80 Pop screen, W414X windscreen, Carry case Manufacturer Part Number 3059Z00050\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619564515618,"sku":"C414XLS","price":2299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/72455_l__42764__78599__97789__59243.1506514833.1280.1280_b04b1a5b-5de5-4f65-bbeb-9f41a780c001.jpg?v=1790231318"},{"product_id":"akg-c414-xlii-multi-pattern-condenser-microphone","title":"AKG C414 XLII Multi-pattern Condenser Microphone","description":"\u003cp\u003eAKG's classic C12 sound for recording lead vocals and solo instruments both in the studio and on stage. The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.The C414 XLII version differs from the C414 XLS version in one major respect - the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: 20-20,000 Hz Sensitivity: 20 mV\/Pa (-34 dBV) +\/-0.5 dB Max. SPL: 200\/400\/800\/1600 Pa = 140\/146\/152\/158 dB (0\/-6\/-12\/-18 dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4) Signal\/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB\/octave at 40 Hz and 80 Hz; 6 dB\/octave at 160 Hz Impedance: \u0026lt;=200 ohms Recommended load impedance: \u0026gt;= 2,200 ohms Supply voltage: 48 V phantom power to DIN\/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619565170978,"sku":"C414XLII","price":2699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/akg-c414xlii__16128__66364__02086__29616.1506409541.1280.1280_fd6dbd42-db43-4f94-a429-a7c1a116bd21.jpg?v=1790231319"},{"product_id":"akg-d12-vr-large-diaphragm-dynamic-microphone-for-bass-drum","title":"AKG D12 VR Large-diaphragm Dynamic Microphone for Bass Drum","description":"\u003cp\u003eThe D12 VR is a reference large-diaphragm dynamic microphone with cardioid polar pattern. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its warm sound is realized by the original C414 transformer, especially impressive at high signal levels. AKG's original D12 was (and still is) a cracking kick drum mic, that also sounded great when picking up bass cabs for recording applications and the new version has got a couple of tricks up its sleeve to really help enhance your drum recordings including three active filter presets to match its sound shape with the kick drum's character. When activated, the output level is automatically reduced by 10 dB. AKG D12 VR Active Dynamic Kick Drum Microphone Features: Active dynamic microphone, fine-tuned for kick drum applications Operates passively without phantom power Applying phantom power allows you to access three different filter curves Filter 1 adds low-frequency boost for depth and power Filter 2 is a midrange cut that opens up sonic room for other instruments Filter 3 combines the first two filters, and adds a presence boost for clarity C414 transformer adds sonic richness to high-level signals Ultra-thin diaphragm and bass-optimized capsule chamber capture huge bass tones Cardioid polar pattern, with up to 25dB signal rejection of off-axis sounds Excellent for use in both studio and live applications\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619565203746,"sku":"D12VR","price":899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/d12_1__16284__04923__68049__60859.1506438436.1280.1280_95b2d579-cddb-4e36-9fd9-5021578a603b.jpg?v=1790231320"},{"product_id":"akg-d112-dynamic-bass-drum-microphone","title":"AKG D112 Dynamic Bass Drum Microphone","description":"\u003cp\u003eLarge-diaphragm dynamic microphone for bass instruments Extremely high SPL capability Classic microphone for stage and studio applications AKG D 112 Kick Drum MicAwarded Best Kick Drum Microphone Overall The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won't faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc. Built in windscreen, SA 60 stand adapter included.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":52619566383394,"sku":"D112","price":429.11,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/d112__61979__81456__94436__08920.1506542412.1280.1280_85b9a6f9-8da1-40fd-b94a-7aea53301032.jpg?v=1790231324"},{"product_id":"apogee-mic-96k-for-mac-ios","title":"Apogee Mic 96k for Mac\/IOS","description":"\u003cp\u003eA microphone built for the future Introduced in 2011, the original MiC became the mobile microphone of choice for both aspiring and professional artists looking for that big-studio microphone sound. Redesigned for the future, the new MiC 96k delivers unsurpassed recording quality. MiC 96k is optimized for the latest Apple iOS devices, including the ability to record in pristine fidelity - up to 24-bit\/96kHz. MiC 96k - Three products in one small package MiC 96k combines a microphone, microphone preamp and an A\/D converter into one compact device. Apogee has carefully designed each part of MiC 96k to deliver the lowest noise and highest quality signal possible for a digital microphone. And it all fits in your pocket. Studio quality anywhere Apogee MiC 96k is a digital microphone designed to deliver studio quality recording you can take anywhere. Use MiC 96k to record vocals, spoken word, acoustic guitar, piano, drums anything! Inspired by the most revered and classic microphones in history, MiC 96k is designed to sound amazing and be easy to use with your iPhone, iPad, iPod touch or Mac.\u003c\/p\u003e","brand":"Apogee","offers":[{"title":"Default Title","offer_id":52619568644386,"sku":"MIC96K","price":328.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/apogee_mic_1__07728__44402__61381__54388.1506507884.1280.1280_c86d13ef-d0ae-468b-9c42-9e5493085220.jpg?v=1790231328"},{"product_id":"neumann-u87ai-studio-set-includes-suspension-mount","title":"Neumann U87AI Studio Set - Includes Suspension Mount","description":"\u003cp\u003eIf you simply want the best vocal microphone, buy this. Saying that, the U87 can turn its talents to anything from congas to acoustic guitar and has been the microphone of choice for countless hit musicians since its inception. The new AI may sound slightly brighter than the original U87 but this is due to the age and condition of the components in the original models. If you've ever heard a newly serviced U87, you'll know that it sounds like a U87AI. Since learning that Eddie Vedder was recorded through a U87 for Pearl Jam's debut album, Ten, I have been a huge fan of this microphone. I didn't use the word pedigree in this description, but anywhere Neumann are mentioned, you'll see it.The Neumann U 87 Ai - voted as THE best microphone The readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California. The SOS award went to products, that \"have made our lives in the studio all the more enjoyable\". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television. The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect. Applications The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech. Acoustic features The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably. Polar patterns The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic. Electrical features The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB. Filter and attenuation A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":52619603214626,"sku":"8660","price":5379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/u87_z__46046__36621__87488__14423.1506416694.1280.1280.jpg?v=1790231425"},{"product_id":"neumann-tlm-67-multi-pattern-transformerless-microphone","title":"Neumann TLM 67 multi-pattern transformerless microphone","description":"\u003cp\u003eIn the world of studio microphones, the numbers \"47\", \"67\" and \"87\" have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number \"67\". In many respects, the TLM 67 is based on the \"workhorse\" of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation. Exterior design The TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.The legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.On the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a three-dimensional metal emblem on the front of the TLM 67. The distinctive Neumann attraction is conveyed in every detail of the microphone. Applications Due to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments. Acoustic features The microphone is addressed from the side on which the Neumann logo is located.A large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch. Electrical features The letters \"TLM\" stand for \"transformerless microphone\". In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch. Filter and pre-attenuation The pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect. Operational reliability Elastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":52619603738914,"sku":"8605","price":3400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/tlm67_z__47128__03629__25384__86168.1506542505.1280.1280_a1b034bc-61c4-4ea5-ae41-d1858aabd815.jpg?v=1790231427"},{"product_id":"neumann-km184-condenser-microphone","title":"Neumann KM184 Condenser Microphone","description":"\u003cp\u003eThe \"Series 180\" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the \"Series 180\" is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All \"Series 180\" microphones are available with either matte black or nickel finish. Applications Their slender shapes and the transmission characteristics described below make the \"Series 180\" especially suitable for a very wide range of tasks in the radio and television sector. Acoustic features The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0 axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances. The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120 . Electrical features The \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered. Economy The \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":52619604263202,"sku":"8439","price":1279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/km184__11023__85162__83383__35752.1506542502.1280.1280_ca80b47f-6ca2-4caa-bfc6-67e3598fd160.jpg?v=1790231428"},{"product_id":"neumann-tlm103-studio-condenser-microphone","title":"Neumann TLM103 Studio Condenser Microphone STUDIO SET - In stock","description":"\u003cp\u003eThe TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. The TLM 103 is available in satin nickel and matte black. Includes an SG 1 metal swivel mount and a wooden jeweler's box. Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios. Polar pattern The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. Acoustic features The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration. Electrical features With just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted). The letters TLM stand for \"transformerless microphone\". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Operational safety The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended. *The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":52619604918562,"sku":"8430","price":1949.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/tlm103_z__57956__25245__59922__34851.1506429376.1280.1280_446c0b7b-c012-4f80-9410-e0e5acd43529.jpg?v=1790231430"},{"product_id":"neumann-tlm49-studio-condenser-microphone","title":"Neumann TLM49 Studio Condenser Microphone","description":"\u003cp\u003eThe TLM 49* is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The \"sound design\" is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels. Applications During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings. Polar pattern The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm. The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front. Acoustic features The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB.The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound. Electrical features The letters TLM stand for \"transformerless microphone\". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 129 dB without distortion, and provides a dynamic range of 117 dB (A-weighted). Operational safety The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount. Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":52619604951330,"sku":"8550","price":2549.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/tlm49_z__90193__56407__20916__60893.1506542510.1280.1280_1f9a4ef7-2ac9-4098-be2f-7c6bce6b22ed.jpg?v=1790231431"},{"product_id":"radial-tonebone-dragster-r800-7075","title":"Radial tonebone dragster (r800-7075)","description":"\u003cp\u003eThe Radial Dragster: Restore the full rich tone you lose when you plug your guitar into a wireless transmitter or other types of buffered inputs like those of effects, mixers, sound cards or recorders. Dragster's exclusive Drag control makes passive pickups think (and sound like) they're connected directly to a amplifier input by allowing you to precisely dial in the correct amount of impedance loading. Result? Your guitar tone regains its warmth - it feels 'right' again and your performance sounds great! The Draster's built-in mounting flanges make it a breeze to attach to a guitar strap and it's unobtrusive size and light weight won't slow you down. Few guitar accessories offer the tremendous 'bang-for-the buck' of a Dragster. You will use it on everything. Dragster - another creative tool to make you sound better from the tone fanatics at Radial! Features: Stand-alone Drag control load correction Pickup impedance load for wireless systems Regains your guitar's full natural tone Compact - lightweight aluminum construction Bracket for guitar strap or pedalboard attachment\u003c\/p\u003e","brand":"Radial","offers":[{"title":"Default Title","offer_id":52619605999906,"sku":"R800-7075","price":109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/R800-7075_1__88666__34576__36515__46071.1506443123.1280.1280_ded3ab39-1935-4e52-b173-81c5fab12180.jpg?v=1790231434"},{"product_id":"rode-m5-compact-condenser-microphone-matched-pair-m-5","title":"Rode M5 Compact Condenser Microphone Matched Pair (M-5)","description":"\u003c!-- Product Description with HTML Markup --\u003e\n\u003cdiv id=\"product-description\"\u003e\n\u003ch1\u003eRode M5 Matched Pair Small-diaphragm Condenser Microphone\u003c\/h1\u003e\n\u003cp\u003eThe Rode M5 is a premium set of matched pair small-diaphragm condenser microphones designed to deliver exceptional performance across various recording applications, whether in the studio or on stage. It features a 1\/2-inch gold-sputtered cardioid condenser capsule, offering minimal noise and comprehensive frequency response.\u003c\/p\u003e\n\u003cp\u003eIdeal for use with a variety of acoustic instruments, choirs, or any setting where a small-diaphragm ('pencil') condenser microphone is desired, the M5 can be used individually or in a stereo array. Each matched pair is meticulously selected to ensure a variation of no more than 1dB sensitivity between the microphones. The package includes WS5 windshields and RM5 stand mounts.\u003c\/p\u003e\n\u003ch2\u003eKey Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMatched pair of small-diaphragm cardioid condenser microphones\u003c\/li\u003e\n\u003cli\u003e1\/2-inch gold-sputtered capsules\u003c\/li\u003e\n\u003cli\u003eHandpicked pair with a maximum of 1dB sensitivity variation\u003c\/li\u003e\n\u003cli\u003eVery low noise and full frequency response\u003c\/li\u003e\n\u003cli\u003eIncludes microphone clips and windshields\u003c\/li\u003e\n\u003cli\u003eComes with a 10-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1\u003eUnveiling the RODE M5: Answering Your Common Questions\u003c\/h1\u003e\n\u003cp\u003eThe RODE M5, a compact and affordable microphone, has been making waves in the audio industry. This small-diaphragm cardioid condenser microphone is a carefully selected matched pair, offering a full frequency response and very low noise. Whether you're a studio professional or a live performer, the RODE M5 is a versatile tool that can enhance your audio recording experience. In this blog post, we'll answer some of the most common questions about the RODE M5.\u003c\/p\u003e\n\u003ch2\u003eWhat is the RODE M5 used for?\u003c\/h2\u003e\n\u003cp\u003eThe RODE M5 is designed for a variety of applications. Its compact size and cardioid pattern make it ideal for studio recording and live on-stage performances. It's particularly effective when recording acoustic instruments and choirs, thanks to its sensitivity and full frequency response. The RODE M5 is also supplied with WS5 windshields and RM5 stand mounts, making it a versatile choice for any recording situation.\u003c\/p\u003e\n\u003ch2\u003eDoes the RODE M5 require phantom power?\u003c\/h2\u003e\n\u003cp\u003eYes, the RODE M5 requires +48V phantom power to operate. This is a standard feature in most audio interfaces and mixers. Phantom power is necessary for condenser microphones like the RODE M5 to function properly.\u003c\/p\u003e\n\u003ch2\u003eWhat is the RODE M5 MP for choir?\u003c\/h2\u003e\n\u003cp\u003eThe RODE M5 Matched Pair (MP) is a set of two microphones that are carefully selected to have no more than 1dB sensitivity variation between them. This makes them ideal for stereo recording applications, such as recording a choir. The matched pair ensures a balanced and accurate stereo image, capturing the full breadth and depth of the choir's performance.\u003c\/p\u003e\n\u003ch2\u003eWhat frequency is the RODE M5?\u003c\/h2\u003e\n\u003cp\u003eThe RODE M5 offers a full frequency response from 20Hz to 20kHz. This wide frequency range allows it to accurately capture a broad spectrum of sounds, from the deep lows of a bass guitar to the high frequencies of a violin or cymbal. The M5's frequency response, combined with its low noise and high sensitivity, delivers a clean, detailed sound that is faithful to the original source.\u003c\/p\u003e\n\u003cp\u003eThe RODE M5 is a testament to RODE's commitment to quality and affordability. It's a versatile microphone that delivers professional-grade performance without breaking the bank. 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It is suitable for acoustic instruments, choirs, or anywhere you would employ a small-diaphragm ('pencil') condenser microphone, either individually or in a stereo array. Each matched pair is carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones and is supplied with WS5 windshields and RM5 stand mounts. The product comes with a 10-year warranty.\",\n  \"image\": \"https:\/\/cdn11.bigcommerce.com\/s-ikl27\/products\/7453\/images\/444123\/R%2525C3%252598DE_M5_MP_FRONT_1080x1080__83301.1685427260.1280.1280.png\",\n  \"offers\": {\n    \"@type\": \"Offer\",\n    \"priceCurrency\": \"AUD\",\n    \"price\": \"239.00\",\n    \"itemCondition\": \"https:\/\/schema.org\/NewCondition\",\n    \"availability\": \"https:\/\/schema.org\/InStock\",\n    \"seller\": {\n      \"@type\": \"Guitar World Australia\",\n      \"name\": \"www.guitar.com.au\"\n    }\n  }\n}\n\n}\n\/\/ ]]\u003e\u003c\/script\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619607245090,"sku":"M5MP","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/R_2525C3_252598DE_M5_MP_FRONT_1080x1080__83301.1691956870.1280.1280_5960ac25-585b-4d9b-ba38-6b40d235185c.png?v=1790231439"},{"product_id":"rode-k2-variable-pattern-valve-studio-microphone-k-2","title":"Rode K2 variable-pattern valve studio microphone (K-2)","description":"\u003cdiv class=\"product-info\"\u003e\n\u003ch1\u003eRode K2 Variable Pattern Dual 1\" Condenser Valve Microphone\u003c\/h1\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cp\u003eThe RØDE K2 is a premium valve microphone that delivers exceptional sound quality and versatility. It features a dual 1\" condenser capsule with variable polar patterns, allowing you to adjust the microphone's response to suit any recording situation. Whether you need a cardioid, figure-8, omnidirectional, or anything in between, the K2 can handle it with ease. The K2 also has a valve\/tube impedance converter with a bipolar output buffer that gives the microphone a warm and smooth character. The K2 is ideal for recording vocals, instruments, and acoustic sources with stunning clarity and detail.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eFeatures\u003c\/li\u003e\n\u003cli\u003eAcoustic Principle Pressure Gradient\u003c\/li\u003e\n\u003cli\u003eActive Electronics Valve\/tube impedance converter with bipolar output buffer\u003c\/li\u003e\n\u003cli\u003eCapsule 1.00\"\u003c\/li\u003e\n\u003cli\u003eAddress Type Side\u003c\/li\u003e\n\u003cli\u003eFrequency Range 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003eOutput Impedance 200Ω\u003c\/li\u003e\n\u003cli\u003eMaximum SPL 162dB SPL (@ 1kHz, 1% THD into 1KΩ load)\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level 30.0dBu (@ 1kHz, 1% THD into 1KΩ load)\u003c\/li\u003e\n\u003cli\u003eSensitivity -36.0dB re 1 Volt\/Pascal (16.00mV @ 94 dB SPL) +\/- 2 dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level (A-weighted) 10dB-A\u003c\/li\u003e\n\u003cli\u003eWeight 815.00gm\u003c\/li\u003e\n\u003cli\u003eDimensions 208.00mmH x 55.00mmW x 55.00mmD\u003c\/li\u003e\n\u003cli\u003eOutput XLR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Principle: Pressure Gradient means that the microphone picks up sound based on the difference in air pressure between the front and back of the diaphragm\u003cspan\u003e1\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eActive Electronics: Valve\/tube impedance converter with bipolar output buffer means that the microphone has a circuit that uses a tube or valve to amplify and convert the signal from the diaphragm\u003cspan\u003e1\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eCapsule: 1.00\" means that the diameter of the diaphragm is one inch, which is considered a large diaphragm\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eAddress Type: Side means that the microphone captures sound from its side, rather than its top or bottom\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20Hz - 20kHz means that the microphone can capture sounds from 20 hertz to 20 kilohertz, which is a wide range of frequencies\u003cspan\u003e3\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200Ω means that the resistance of the microphone’s output signal is 200 ohms, which is relatively low and suitable for most audio interfaces\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 162dB SPL (@ 1kHz, 1% THD into 1KΩ load) means that the maximum sound pressure level that the microphone can handle without distortion is 162 decibels at one kilohertz with one percent total harmonic distortion into a one kiloohm load\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: 30.0dBu (@ 1kHz, 1% THD into 1KΩ load) means that the maximum level of output signal that the microphone can produce without distortion is 30 decibels above unity gain at one kilohertz with one percent total harmonic distortion into a one kiloohm load\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eSensitivity: -36.0dB re 1 Volt\/Pascal (16.00mV @ 94 dB SPL) +\/- 2 dB @ 1kHz means that the voltage output of the microphone per unit of sound pressure input is -36 decibels relative to one volt per pascal (or equivalently, 16 millivolts at 94 decibels sound pressure level) with a plus or minus two decibel margin of error at one kilohertz\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level (A-weighted):10dB-A means that the amount of self-noise generated by the microphone’s electronics is equivalent to ten decibels on an A-weighted scale, which filters out low-frequency noise and mimics human hearing sensitivity\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eWeight:815.00gm means that the mass of the microphone is about eight hundred and fifteen grams.\u003c\/li\u003e\n\u003cli\u003eDimensions:208.00mmH x55.00mmW x55.00mmD means thatthe height,width,and depthof themicrophoneare about two hundred and eight millimeters,fifty-five millimeters,and fifty-five millimeters,respectively.\u003c\/li\u003e\n\u003cli\u003eOutput:XLRmeans thatthe type of connector used by themicrophoneis an XLR plug,which has three pinsand can carry balanced audio signals\u003cspan\u003e2\u003c\/span\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619607900450,"sku":"1-RODK2","price":988.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/K2_1_1__97701__89027__05034__93878.1506537560.1280.1280_f3c85ac3-2b6b-4c7e-a59c-c8303e27f46a.jpg?v=1790231441"},{"product_id":"rode-ntk-premium-tube-condenser-microphone","title":"RODE NTK Premium Tube Condenser Microphone","description":"\u003cp\u003eLike it's bigger brother the K2, the R DE NTK is a premium valve condenser microphone designed to provide incredible detail and warmth in the studio. 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Large 1\" capsule with gold plated diaphragm Class \"A\" valve circuitry Hand selected and graded 6922 twin-triode valve Dedicated power supply Internal capsule shock mounting High level of RF rejection Ultra low noise Wide dynamic range High strength heat treated steel mesh head\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619607965986,"sku":"1-RODNTK","price":869.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/ntk__39785__23766__26373__06721.1506709442.1280.1280_7b796559-959c-4259-a657-1c6707be4a77.jpg?v=1790231442"},{"product_id":"rode-videomic-directional-on-camera-microphone-1-rodvmr","title":"RODE VideoMic Directional On-camera Microphone (1-RODVMR)","description":"\u003cp\u003eThe R DE VideoMic is a professional grade 1\/2\" condenser shotgun microphone designed for use with consumer video cameras and personal audio recorders. The integrated Rycote Lyre based shock mounting system isolates the VideoMic capsule and electronics from its all-metal shoe mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. Its standard sized shoe mount also includes a 3\/8\" thread in the base for easy mounting on a boom pole or stand. By employing a super-cardioid polar pattern the VideoMic becomes highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport. The R DE VideoMic directional on-camera microphone is designed in Australia and covered by R DE Microphones' industry leading 10 year warranty. 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The microphone capsule is connected via a 1.2m (4') shielded, detachable Kevlar reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance. The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer. The supplied anti-trauma water resistant case provides rugged and secure protection for the microphone, cable, clips and included accessories. 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Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The R DELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3\/8\" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. R DE's omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality. * range estimations based on optimal environment R DELink Filmmaker Kit Specifications Transmission type 2.4GHz Fixed Frequency Agile System System dynamic range 112dB Range (distance) Up To 100m Frequency range 35Hz - 22kHz Maximum output level 1v Rms (2.8v P-p) Max input signal level 1v Rms (2.8v P-p) Max latency 4ms Receiver (RX-CAM) Power source 2 X AA Battery Or MicroUSB Antenna Internal Output connection 3.5mm TRS Locking Jack Socket - Dual Mono Output impedance 300 Dimensions 111mm X 65mm X 52mm Weight 190gm Transmitter (TX-BELT) Power source 2 X AA Battery Or MicroUSB Antenna Internal Output connection 3.5mm TRS Locking Jack Socket Output impedance 10k Dimensions 111mm X 65mm X 40mm Weight 190gm Lavalier Acoustic Principle Pressure Gradient Active Electronics JFET impedance converter Capsule 0.10\" Address Type End Frequency Range 60Hz - 18kHz Output Impedance 3000 Maximum SPL 110dB SPL (@ 1kHz, 1% THD into 1K load) Maximum Output Level 189.0dBu (@ 1kHz, 1% THD into 1K load Sensitivity -33.5dB re 1 Volt\/Pascal (21.00mV @ 94 dB SPL) +\/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 25dB-A Weight 1.00gm Dimensions 12.00mmH x 4.50mmW x 4.50mmD Warranty 10 year warranty\u003c\/p\u003e","brand":"RØDE","offers":[{"title":"Default Title","offer_id":52619609833762,"sku":"1-RODLNK-FM","price":598.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/rode_rodlnk_fm_rodelink_wireless_filmmaker_kit_1115091__59489__27734__64802__66077.1506420462.1280.1280_f9cd3317-3022-4d7e-bacb-9317fce30c78.jpg?v=1790231447"},{"product_id":"shure-sm7b-vocal-microphone","title":"Shure SM7B Vocal Microphone","description":"\u003cp\u003eMichael Jackson, Don Was, John Mayer, James Hetfield, Keith Urban, Eddie Vedder, Bob Dylan, and so on. Get the picture? This microphone has had a bigger recording career than Quincy Jones. While we're talking SM7, here's a studio secret: it's also an absolute killer hi-hat mic. The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. Features Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors Internal \"air suspension\" shock isolation virtually eliminates mechanical noise transmission Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound Rugged construction and excellent cartridge protection for outstanding reliability Replacement cartridge: RPM106\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619609866530,"sku":"SHRSM7B","price":699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/sm7b__50064__40948__51421__67210.1506453097.1280.1280_390364a8-6988-4658-8b1a-df12bf655188.jpg?v=1790231449"},{"product_id":"shure-beta-98amp-miniature-cardioid-drum-microphone","title":"Shure Beta 98AMP Miniature Cardioid Drum Microphone","description":"\u003cp\u003eThe Shure BETA 98AMP is a precision-engineered miniature cardioid condenser microphone for professional sound reinforcement and studio recording. Features an integrated XLR preamplifier with a flexible gooseneck and the A75M Universal Microphone Mount for accurate placement in any configuration of toms, snares, or percussion. An extremely uniform cardioid polar pattern provides excellent gain-before-feedback, off-axis rejection of unwanted noise, and high maximum sound pressure level (SPL). Features Uniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control Precision-engineered design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter Frequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments Flexible gooseneck for precise placement and easy adjustment Ships with A75M Universal Microphone mount with quick release, for versatile and secure instrument and\/or stand mounting Furnished with snap-fit windscreen and zipper pouch\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619611734306,"sku":"SHRBETA98AMP\/C","price":649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/beta98amp__44563__74994__59942__23210.1506544309.1280.1280_f4368666-8369-47ac-a799-d3cb2c57de1f.jpg?v=1790231455"},{"product_id":"shure-beta-87a-vocal-microphone","title":"Shure Beta 87A Vocal Microphone","description":"\u003cp\u003eThe Shure BETA 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production. The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the \"boomy\" sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power. Features Smooth frequency response with gradual presence rise Highly consistent supercardioid polar pattern provides superior gain-before-feedback Electronic low-frequency roll-off compensates for proximity effect Wide dynamic range (117 dB) and low distortion characteristics Very low susceptibility to RFI and electromagnetic hum Advanced cartridge shock-mount system absorbs mechanical shocks and reduces handling noise Built-in pop filter reduces undesirable wind and breath sounds Legendary Shure quality and reliability\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619612258594,"sku":"SHRBETA87A","price":559.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/beta87a__08442__47611__31013__91935.1506726732.1280.1280_3fa71d09-cc8c-4a31-9ae2-aa00f2daf6dd.jpg?v=1790231459"},{"product_id":"shure-vp88-stereo-condenser-microphone","title":"Shure VP88 Stereo Condenser Microphone","description":"\u003cp\u003eThe Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments. One cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image separation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Features Time-coherent, Mid-Side (M-S) design for optimal stereo imaging Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available Mono compatibility ideal for broadcast applications Low noise and distortion Wide dynamic range Switch-selectable, low-frequency rolloff (12 dB\/octave below 80 Hz) for reduced pickup of ambient noise \u0026amp; stand vibration Operates on phantom power or a 6V camera battery LED power indicator Internal shock mount for reduced stand vibration and handling noise Built-in \"pop\" screen Includes windscreen, swivel adapter, and Y-cable\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619612913954,"sku":"SHRVP88","price":1949.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/vp88-2__69362__25536__57007__25762.1506468763.1280.1280_fa8e8d92-83cc-4298-9532-322a41e37d91.jpg?v=1790231460"},{"product_id":"shure-sm81-instrument-microphone","title":"Shure SM81 Instrument Microphone","description":"\u003cp\u003eThe Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. Features The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available. 20 Hz to 20 kHz frequency response Flat response curve for accurate reproduction of sound sources Low noise and high output clipping level Low distortion over a wide range of load impedances Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds Low RF susceptibility Selectable low-frequency response: flat, 6 or 18 dB\/octave rolloff 0 dB\/10 dB lockable attenuator switch Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc) Rugged steel construction for durability Field-usable over wide range of temperature and humidity conditions\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619612946722,"sku":"SHRSM81-LC","price":899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/sm81__83004__93950__89912__70246.1506639041.1280.1280_a5af9ec9-5a34-4d98-bef0-4899d4f4587c.jpg?v=1790231460"},{"product_id":"shure-beta-56a-dynamic-microphone-beta-56a","title":"Shure Beta 56A dynamic microphone (BETA-56A)","description":"\u003cp\u003eTailored frequency response provides drums, amplified instruments, and horns with studio quality sound. Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility. Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound. Compact design reduces stage clutter. Hardened steel mesh grille resists wear and abuse. Neodymium magnet for high signal-to-noise ratio output. Minimally affected by varying load impedance. Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration. Legendary Shure quality and reliability.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619613503778,"sku":"SHRBETA56A","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/SHR-BETA56A_2__01666__68618__91303__11465.1506618367.1280.1280_fd89d6ed-c324-469d-8847-21e43adf8337.jpg?v=1790231463"},{"product_id":"shure-beta-52a-dynamic-microphone-beta-52a","title":"Shure Beta 52A dynamic microphone (BETA-52A)","description":"\u003cp\u003eFrequency response shaped specifically for kick drums and bass instruments Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum Studio quality performance, even at extremely high sound pressure levels Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Neodymium magnet for high signal-to-noise ratio output Low sensitivity to varying load impedance Legendary Shure quality and reliability\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619614257442,"sku":"SHRBETA52A","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/SHR-BETA52A_2__39291__66343__18446__81798.1506419274.1280.1280_ce182360-6599-441a-90a8-efb07dadb4a9.jpg?v=1790231465"},{"product_id":"shure-beta-58a-dynamic-microphone-beta-58a","title":"Shure Beta 58A dynamic microphone (BETA-58A)","description":"\u003cp\u003eThe Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. Frequency response tailored for vocals, with brightened midrange and bass roll-off to control proximity effect. Uniform supercardioid pattern for high gain before feedback and superior rejection of off-axis sound. Neodymium magnet for high signal-to-noise output. Advanced pneumatic shock mount system that minimises transmission of mechanical noise and vibration. Minimally affected by varying load impedance.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619614290210,"sku":"SHRBETA58A","price":318.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/SHR-BETA58A_2__43888__32709__34131__46995.1506529600.1280.1280_f00c4fbc-a7fd-4b75-ba7d-bf5e10f19ec3.jpg?v=1790231466"},{"product_id":"shure-sm57-dynamic-microphone-sm-57","title":"Shure SM57 dynamic microphone (SM-57)","description":"\u003cp\u003eThe legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this \"workhorse\" the choice of performers, producers, and sound engineers worldwide. Contoured frequency response for clean, instrumental reproduction and rich vocal pickup. Professional-quality reproduction for drum, percussion, and instrument amplifier miking. Uniform cardioid pickup pattern isolates the main sound source while reducing background noise. Pneumatic shock-mount system cuts down handling noise. Extremely durable under the heaviest use. Frequency response: 40 to 15,000 Hz.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619614945570,"sku":"SHRSM57","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/SHR-SM57_2__27886__43176__59892__50450.1506906750.1280.1280_164c8670-b036-4a9c-8145-84c13986971f.jpg?v=1790231467"},{"product_id":"shure-sm58-dynamic-microphone-sm-58","title":"Shure SM58 dynamic microphone (SM-58)","description":"\u003cp\u003eThe legendary Shure SM58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors. Frequency response tailored for vocals, with brightened midrange and bass roll-off. Uniform cardioid pickup pattern isolates the main sound source and minimises background noise. Effective, built-in spherical wind and pop filter. Supplied with break-resistant stand adapter which rotates 180 . Legendary Shure quality, ruggedness and reliability. Cardioid (unidirectional) dynamic. Frequency response: 50 to 15,000 Hz.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":52619615011106,"sku":"SM58-LCE","price":208.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/SHR-SM58_2__94805__72344__04740__41645.1506495527.1280.1280_719fdba5-166d-438a-8355-a0669372e3e8.jpg?v=1790231468"},{"product_id":"tc-helicon-voicelive-play-vocal-effects-harmony-processor","title":"TC Helicon VoiceLive Play Vocal Effects\/Harmony Processor","description":"\u003cp\u003eTC Helicon VoiceLive Play Whether you're at the top of the charts - or just a dreamer with a microphone, VoiceLive Play gives you hundreds of song \u0026amp; artist presets to choose from, helping you create amazing vocals. Plug in your MP3 player and sing along with your favorite tracks or create instant HIT effects for your own songs. 200+ song \u0026amp; artist inspired presets Plug in your MP3 player to the AUX input and sing along using Vocal Cancel feature RoomSense - embedded mics set auto key for harmonies Sound Like The Pros Producers spend more time on perfecting vocals than any other instrument, and the number of layered vocal tracks on a studio recording often run well into the double-digits. Now the same care for creating vocals live or at home is available to everyone. VoiceLive Play gives singers the opportunity to experience the sound they know and love from their favorite songs with ease. Featuring automatic backing harmonies, vocal double tracking, pristine EQ and compression, lush reverbs, hard-tuned robo-voice - all the the goose-bumps-on-your-arm effects that make today's Billboard hit vocals \"pop\". Pick a Genre, any Genre Operating and navigating VoiceLive Play is a breeze. The GENRE button allows you to easily browse hundreds of presets. Choose a style that suits you and VoiceLive Play will list the presets that fit your preference. If you've never used effects before, you'll quickly learn how to find the sound you're looking for with GENRES. Download More \u0026amp; Make Your Favorites If hundreds of presets wasn't enough, you'll be able to download new and exciting artist presets each month for free via VoiceSupport. Should you want to create your own presets, VoiceLive Play offers the simple and intuitive onboard controls to do so. In addition, you can mark any preset as a FAVORITE, creating a personal genre of choice effects for super-fast access. Make It a Hit HIT is a performance-inspired feature for building intensity into any vocal performance. Every preset has an effect that you can build upon by pressing the HIT button, which adds additional effects on top. For example, you could start with a simple reverb and then \"HIT it\" to add dazzling harmonies or a raw megaphone effect for emphasis - excellent for making choruses stand out instantly! Perfect Harmonies \u0026amp; Correction VoiceLive Play listens to your music. Using Auto Key technology it senses and adapts to your MP3 recordings using the aux input or the built in RoomSense microphones so that harmonies and pitch correction fit perfectly with your music. No Music Degree required! Sing Along with Vocal Cancel Singing along is a great way of practicing and performing. Plug in your MP3 player via the AUX In connector and use the Vocal Cancel feature to make your voice stand out over the vocals on the original track. You can also record and play back your singing using the USB connection to your computer. Practice Makes Perfect All singers need practice, but that doesn't mean that it can't be a lot of fun. VoiceLive Play has a dedicated PRACTICE mode that analyzes your performance in real-time, helping you spot your strengths as well as focus on the areas that might need attention. on the areas that might need attention. Details Loop Around The VLOOP™ performance looper allows you to create a complete performance while turning effects on and off. A Good Set of Ears Embedded stereo RoomSense mics can control your harmonies from instruments nearby, replace the cabled mic for headphone practice or add ambience to your headphone mix. Adaptive Tone TC-Helicon's adaptive tone technology intelligently controls Shape EQ and Dynamics (Compression \u0026amp; De-ess) to provide the perfect tonal balance and add smooth dynamic control to fit in any mix. Best of all it's easy - just set and forget. An adaptive gate can also be added to help suppress feedback and reduce bleed. More Control Add MP-75 or Switch-3 for additional control of performance, effects and looping. More Features Complete vocal path including Tone, Harmony, HardTune, Reverb, Double and more. Get perfect harmonies using Auto Key Detection. Plug in and practice with your MP3 player, or stream tracks and record over USB including a vocal cancel function. Compatible with the MP-75 Modern Performance Vocal Microphone with Mic Control. Global adaptive EQ, Compression, De-ess, Gate \u0026amp; pitch correction. 2 Voices of NaturalPlay Harmonies, and 2 voices of humanized Doubling. VLOOP™ performance looper with undo\/redo. RoomSense microphones for Auto Key, monitoring and practicing. Override the key manually using the footswitches or the Effects menu. Navigate over 200 presets by Genre and mark Favorites. Practice function with intelligent pitch display tracks and singing stats. Simple effects customizing with styles and icons. Low-noise Mic-preamp with Mic Control. Stereo XLR outputs. Aux input for connecting an MP3 player. Headphone output. USB for audio streaming and connection to VoiceSupport. Optional Switch-3 and MP-75 for more performance control.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":52619619205410,"sku":"TC-VL-PLAY","price":457.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/voicelive-play-1__31877__33102__68781__57293.1506560540.1280.1280_3a9fae84-2ca9-41ba-a0c9-b17ce62dfffe.jpg?v=1790231488"},{"product_id":"tc-helicon-harmony-singer-vocal-fx-pedal","title":"TC Helicon Harmony Singer2 Vocal FX Pedal","description":"\u003cp\u003eYou've perfected your guitar tone. Now it's time to focus on your vocals. Harmony Singer is the perfect partner for that - essential and exciting vocal processing no larger than a guitar stomp box, but with a massive sound. Whether you're electric, electro-acoustic, pro or practicing, your vocal presentation will sound like your group just increased by a couple of backup singers, an expert engineer and a ton of gear. All-in-one, compact pedal featuring Vocal Harmony, Tone and Reverb Up to two harmony voices guided automatically by the guitar via the In\/Thru connection Adaptive Tone \"sweetens\" overall vocal quality 3 high-quality Reverb styles with adjustable level It starts with Adaptive Tone for a studio vocal sound Tone is much more than just a four-letter-word. Under the hood of Harmony Singer is a collection of high-end audio processes tweaked to perfection. Smooth dynamics? Check. Silky brightness? Check. Reduced \"sss\" sounds? Check. No more muddy lows? Check. And these processes automatically adapt to the tone and dynamic range of your singing so that even with an average PA, you'll always sound your best. Just play and sing, your harmony group follows automatically You won't have to brush up on your vocal arranging skills. Harmony Singer does this for you. It instantly analyzes your guitar chords so that when you hit the footswitch, your harmony backup group is in tune and on time. When it's this easy, you'll find yourself trying harmony in songs you wouldn't have thought of before. Silky studio-quality reverb Sure, everything has reverb in it these days, but when your reverb sounds great it makes you equally great. Our sister company TC Electronic is renowned in the pro-audio community for the quality of its reverb algorithms and the styles in Harmony Singer hark directly from that lineage. The Room, Club and Hall styles are all built to flatter your voice, so go ahead and crank it up, your audience will love it. Don't forget to Talk to your audience Of course you don't want to announce your next song or chat to the folks with Reverb on. Holding the Harmony on\/off button puts you into Talk mode where your voice is still processed by Tone but the Reverb and Harmony effects are turned off. A quick tap and you're back in the land of pristine ambience.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":52619619729698,"sku":"455107","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/tch-harmony-singer-front__37036__89846__97522__74936.1506453820.1280.1280_6ce11839-b1b9-433b-aa1e-051973efd9d8.jpg?v=1790231490"},{"product_id":"tc-helicon-mic-mechanic-vocal-fx-pedal","title":"TC Helicon Mic Mechanic 2 Vocal FX Pedal","description":"\u003cp\u003eDead room? Flat mic? No sound guy? Call in Mic Mechanic - a complete vocal toolbox in a compact, easy-to-use pedal. As your personal sound engineer Mic Mechanic provides time-tested tone and effects you can take anywhere - and always sound your best. Top quality TC-Helicon Reverbs, Delays and Pitch Correction Adaptive Tone for the perfect mix Simple controls, easy to use, instant effect Rugged all-metal construction What every singer needs With Mic Mechanic you get tried and true combinations of the Reverbs and Delays from our renowned VoiceLive series. These are classic sounds designed to enhance and complement the natural timbre of your voice, making Mic Mechanic the direct response to the singers who say \"I don't want to change my voice. I just want to sound great\". Professional Reverb, simply controlled Reverb is the essential vocal effect, loved by all singers and used in practically every venue and recording studio in the world. Picked from the flagship VoiceLive series, the lush Reverbs in Mic Mechanic surround your voice with a great sense of space - small or large. Delay. Delay. And Tap. From short slapback echoes to long repeating phrases, Delay adds that special \"something\" to your vocal sound. Use the Tap Tempo feature and time the delays to match your music perfectly. Perfectly pitched Auto Chromatic Pitch Correction gently guides you towards the \"true\" note you're singing. When you're just a bit flat or sharp, Mic Mechanic steps in and gives you a little - or a large - nudge in the right direction. It can be transparent or used as an effect, whichever you like. Sound your best with Adaptive Tone Mic Mechanic automatically adjusts EQ, Compression, De-Essing and Gating - providing you with great tone all the time. Get a great vocal sound regardless of your sound system or sound tech.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":52619619762466,"sku":"455111","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/voicetone-mic-mechanic-2__23144__57443__55123__96007.1506433818.1280.1280_125b39c2-bb22-4ded-910c-cbe65b7f4ffd.jpg?v=1790231491"},{"product_id":"tc-helicon-voicetone-h1-intelligent-harmony-pedal","title":"TC Helicon VoiceTone H1 Intelligent Harmony Pedal","description":"\u003cp\u003eThe essentials for killer vocal harmonies Natural harmony sound, ease of use and now, ultimate affordability are yours in VoiceTone H1. Pros and hobbyists alike can achieve fuller-sounding vocal performances with this sturdy vocal harmony pedal. Adds one or two voices of realistic harmony to your voice Both guitarists and non-guitarists can create musical harmonies High quality signal path and tough enclosure Can be chained to additional VoiceTone Singles Mic-Control offers remote on\/off via TC-Helicon MP-75 microphone No Guesswork Required Guitarist\/singers can take advantage of H1′s uncanny guitar-sensing ability to keep your harmonies in tune. For non-guitarists, H1 has a key selector so you can dial-in harmonies that fit lots of songs. As simple as plugging in your mic Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn't need to unfold the manual unless you're making a fire. Strong family genes Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you'd expect from our flagship vocal processors like VoiceLive 2.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":52619622121762,"sku":"TC-VT-H1","price":268.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/tch_voicetone_h1_front__14262__39630__42585__51455.1506460346.1280.1280_edfb966d-d6e9-4f61-8cad-6c38592e28e2.jpg?v=1790231497"},{"product_id":"yamaha-mg20xu-mixer-w-digital-fx-and-usb","title":"Yamaha MG20XU 20-Channel Analogue Mixer with Effects and USB","description":"\u003ch1\u003eYamaha MG20XU 20-Channel Analogue Mixer with Effects and USB\u003c\/h1\u003e\u003cp\u003eYamaha MG20XU 20-Channel Analogue Mixer with Effects and USB is the 20-channel analogue desk for a working band, a small venue or a church that has run out of inputs on something smaller. Sixteen D-PRE preamps, eight one-knob compressors and built-in SPX effects get a full band through the desk cleanly with nothing bolted on the side. The USB interface then hands the whole mix to a laptop for recording or streaming.\u003c\/p\u003e\u003ch2\u003eSixteen D-PRE preamps across 20 inputs\u003c\/h2\u003e\u003cp\u003eTwelve mono channels take a mic or a line source, and four more switch between a mic and a stereo line pair. Every mic-capable channel runs from a D-PRE preamp with +48 V phantom power for condensers, and a PAD switch tames a hot source before it reaches the gain stage. A peak LED lights when the post-EQ signal is within 3 dB of clipping, so you see trouble before you hear it.\u003c\/p\u003e\u003ch2\u003eThree-band EQ with a sweepable mid\u003c\/h2\u003e\u003cp\u003eEach channel carries 15 dB of cut or boost at three points. The high band is a 10 kHz shelf, the low band a 100 Hz shelf, and on the mono channels the mid is a peaking band you sweep anywhere from 250 Hz to 5 kHz. That sweep lets you dig a boxy 400 Hz out of a floor tom or find the honk in a vocal mic instead of guessing. Stereo channels get a fixed 2.5 kHz mid.\u003c\/p\u003e\u003ch2\u003eEight one-knob compressors\u003c\/h2\u003e\u003cp\u003eEight channels have a compressor driven by a single knob that sets gain, threshold and ratio together. Turn it up and the threshold moves from +22 dBu down to -8 dBu while the ratio climbs from 1:1 to 4:1, with attack around 25 ms and release around 300 ms. It is a fast way to sit a vocal or a bass in the mix mid-show without touching a menu.\u003c\/p\u003e\u003ch2\u003eSPX effects and a 24-bit, 192 kHz USB interface\u003c\/h2\u003e\u003cp\u003eThe SPX processor supplies reverb and delay from the desk itself, fed from one of the aux sends and returned to the mix. An optional FC5 foot switch toggles the effect return so a singer can drop the reverb between songs. USB gives you two channels in and two out at up to 24-bit, 192 kHz, and the box includes download details for Steinberg Cubase AI plus a licence for the Cubasis LE iOS app.\u003c\/p\u003e\u003ch2\u003eFour aux sends, four groups, twin 12-segment meters\u003c\/h2\u003e\u003cp\u003eFour aux sends, one of them feeding the internal effects, leave three for monitor mixes or outboard. Four group buses let you fold drums or backing vocals onto one fader before they hit the stereo bus, and there is a separate monitor output plus a headphone output. Two 12-segment LED meters read from -30 dB up to peak, and crosstalk between channels is rated at -78 dB.\u003c\/p\u003e\u003ch2\u003eRack-ready metal chassis\u003c\/h2\u003e\u003cp\u003eThe chassis is metal, the rack-mount kit is in the box, and the desk weighs 7.1 kg at 500 mm deep. It runs on 100 to 240 V mains and draws 36 W, so it travels between countries as easily as between gigs.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003eYamaha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003eMG20XU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eStrings\u003c\/th\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutline\u003c\/th\u003e\n\u003ctd\u003eMixing capability\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput Channels\u003c\/th\u003e\n\u003ctd\u003eMono[MIC\/LINE]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutput Channels\u003c\/th\u003e\n\u003ctd\u003eSTEREO OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBus\u003c\/th\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput Channel Function\u003c\/th\u003e\n\u003ctd\u003ePAD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ HIGH\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ MID\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ LOW\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePEAK LED\u003c\/th\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eLevel Meter\u003c\/th\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003ctd\u003eEquivalent input noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd\u003e36 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eNet weight\u003c\/th\u003e\n\u003ctd\u003e7.1kg (15.7 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eColour\u003c\/th\u003e\n\u003ctd\u003e20 Channel Analog Mixer W\/ Effects \u0026amp; Usb I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":52619623530786,"sku":"MG20XU","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/7773-1__56148.1788331857.1280.1280.jpg?v=1790231504"},{"product_id":"yamaha-mg20-mixer","title":"Yamaha MG20 20-Channel Analogue Mixer","description":"\u003ch1\u003eYamaha MG20 20-Channel Analogue Mixer\u003c\/h1\u003e\u003cp\u003eYamaha MG20 20-Channel Analogue Mixer is the 20-channel analogue desk for anyone who wants sixteen proper mic preamps and eight compressors without paying for effects or a USB interface they already own. Your outboard reverb plugs into the aux sends and your recording interface hangs off the outputs, and the rest of the desk matches the effects-equipped MG20XU. It is the sensible buy for a rehearsal room, a club install or a band with a rack already full of gear.\u003c\/p\u003e\u003ch2\u003eSixteen D-PRE preamps, 20 inputs\u003c\/h2\u003e\u003cp\u003eTwelve mono channels accept a mic or a line source, and four more channels switch between a mic and a stereo line pair. Each mic-capable channel has a D-PRE preamp with +48 V phantom power, and a PAD switch knocks down a hot signal before the gain knob. A peak LED on the mono channels lights when the post-EQ signal is 3 dB below clipping.\u003c\/p\u003e\u003ch2\u003eThree-band EQ with a sweepable mid\u003c\/h2\u003e\u003cp\u003eAll three bands offer 15 dB of boost or cut. The high band shelves at 10 kHz, the low band at 100 Hz, and the mono-channel mid is a peaking band you sweep from 250 Hz to 5 kHz to hunt down the exact frequency that is muddying a guitar or ringing in a vocal mic. Stereo channels carry a fixed 2.5 kHz mid.\u003c\/p\u003e\u003ch2\u003eEight one-knob compressors\u003c\/h2\u003e\u003cp\u003eEight channels get a compressor on a single knob that sets gain, threshold and ratio at once. The threshold runs from +22 dBu down to -8 dBu, the ratio from 1:1 to 4:1, with roughly 25 ms attack and 300 ms release. Dial it in on the lead vocal and the bass and both stay put in the mix when the player gets excited.\u003c\/p\u003e\u003ch2\u003eFour aux sends, four groups and full metering\u003c\/h2\u003e\u003cp\u003eFour aux sends give you four monitor mixes or a split between wedges and outboard effects. Four group buses collect drums or backing vocals onto single faders ahead of the stereo bus, with a separate monitor output and a headphone output on top. Two 12-segment LED meters read from -30 dB to peak, and channel crosstalk is rated at -78 dB.\u003c\/p\u003e\u003ch2\u003eMetal chassis, rack kit included\u003c\/h2\u003e\u003cp\u003eThe metal chassis weighs 6.9 kg and measures 500 mm deep, and the rack-mount kit ships in the box. Power is 100 to 240 V at 36 W, so it works anywhere with a mains plug.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003eYamaha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003eMG20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eStrings\u003c\/th\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutline\u003c\/th\u003e\n\u003ctd\u003eI\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutput Channels\u003c\/th\u003e\n\u003ctd\u003eSTEREO OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBus\u003c\/th\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput Channel Function\u003c\/th\u003e\n\u003ctd\u003ePAD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ HIGH\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ MID\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ LOW\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePEAK LED\u003c\/th\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping(Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eLevel Meter\u003c\/th\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003ctd\u003eEquivalent input noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd\u003e36 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eNet weight\u003c\/th\u003e\n\u003ctd\u003e6.9kg (15.2 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eColour\u003c\/th\u003e\n\u003ctd\u003e20 Channel Analog Mixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":52619623563554,"sku":"MG20","price":1199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/7774-1__06686.1788331869.1280.1280.jpg?v=1790231508"},{"product_id":"yamaha-tf5-32ch-digital-mixer","title":"Yamaha TF5 32-Channel Digital Mixer","description":"\u003ch1\u003eYamaha TF5 32-Channel Digital Mixer\u003c\/h1\u003e\u003cp\u003eYamaha TF5 32-Channel Digital Mixer is the console for a venue, a touring band or a production company that needs 32 recallable preamps and a mix that can be saved and pulled back up before the next show. TouchFlow Operation puts the channel you touch on the screen in front of you, so a busy changeover does not mean paging through menus. It records live too, with Nuendo Live in the box.\u003c\/p\u003e\u003ch2\u003eTouchFlow Operation and 100 mm motorised faders\u003c\/h2\u003e\u003cp\u003eTouch a channel and its processing appears on the screen, ready to adjust by hand. The faders are 100 mm and motorised, with 10-bit resolution and a range from +10 dB down to -138 dB before dropping to minus infinity. Recall a scene and every fader moves to where it was saved, so soundcheck for the second band is a button press, not a rebuild.\u003c\/p\u003e\u003ch2\u003e32 recallable D-PRE preamps\u003c\/h2\u003e\u003cp\u003eAll 32 D-PRE preamps store their settings with the scene, so gain comes back exactly as you left it for each act. That matters on a multi-band night, where the difference between a rested show and a stressful one is whether the inputs are already right when the band walks on.\u003c\/p\u003e\u003ch2\u003eEight DCA groups, buses and an expansion slot\u003c\/h2\u003e\u003cp\u003eEight DCA groups let you ride the whole drum kit or all the vocals on one fader without summing them to a bus. There is a stereo bus and a sub bus, and a single expansion slot takes an optional expansion card, which is how the console connects to an I\/O rack sitting on stage instead of a snake full of copper.\u003c\/p\u003e\u003ch2\u003eAudio performance you can measure\u003c\/h2\u003e\u003cp\u003eTotal harmonic distortion is under 0.05% from 20 Hz to 20 kHz at +4 dBu into 600 ohms. Frequency response is +0.5, -1.5 dB across 20 Hz to 20 kHz, dynamic range is 110 dB at the DA converter and 107 dB input to omni out, and crosstalk between adjacent channels is -100 dB. In practice that means a quiet desk that does not colour what the preamps hand it.\u003c\/p\u003e\u003ch2\u003eRecording, power and the box\u003c\/h2\u003e\u003cp\u003eNuendo Live ships with the console for multitrack capture of the show, alongside a quick guide and a power cord. The TF5 runs on 100 to 240 V at 120 W, measures 599 mm deep and weighs 20.0 kg. An FC5 foot switch is an optional extra.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003eYamaha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003eTF5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd\u003eQuick Guide, Power Cord, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eStrings\u003c\/th\u003e\n\u003ctd\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutline\u003c\/th\u003e\n\u003ctd\u003eFader Configuration\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput channel functions\u003c\/th\u003e\n\u003ctd\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eI\/O\u003c\/th\u003e\n\u003ctd\u003eInputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOn-board processors\u003c\/th\u003e\n\u003ctd\u003eDSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFader\u003c\/th\u003e\n\u003ctd\u003e100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eTotal harmonic distortion\u003c\/th\u003e\n\u003ctd\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd\u003e110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003ctd\u003eEquivalent input noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd\u003e120 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eNet weight\u003c\/th\u003e\n\u003ctd\u003e20.0 kg (44.1lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOptions\u003c\/th\u003e\n\u003ctd\u003eExpansion Card, Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eColour\u003c\/th\u003e\n\u003ctd\u003e32-Channel Digital Mixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":52619624218914,"sku":"TF5-MIXER","price":5599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/7775-1__82494.1788331881.1280.1280.jpg?v=1790231509"},{"product_id":"yamaha-tf3-24ch-digital-mixer","title":"Yamaha TF3 24-Channel Digital Mixer","description":"\u003ch1\u003eYamaha TF3 24-Channel Digital Mixer\u003c\/h1\u003e\u003cp\u003eYamaha TF3 24-Channel Digital Mixer is the mid-size console for a club, a touring act or a house of worship that needs 24 recallable preamps, motorised faders and a mix that comes back exactly as it was saved. TouchFlow Operation means the channel you touch is the channel on screen, which keeps a fast changeover calm. It also records the show, with Nuendo Live included.\u003c\/p\u003e\u003ch2\u003eTouchFlow Operation on 100 mm motorised faders\u003c\/h2\u003e\u003cp\u003eTouch a channel and its EQ, dynamics and sends appear in front of you, ready to adjust. The faders are 100 mm motorised units with 10-bit resolution and a range from +10 dB down to -138 dB before minus infinity. Recall a scene and every fader travels to its stored position, so the second band's soundcheck starts from where you left it.\u003c\/p\u003e\u003ch2\u003e24 recallable D-PRE preamps\u003c\/h2\u003e\u003cp\u003eAll 24 D-PRE preamps store their gain with the scene, so each act's inputs are already right when they walk on. On a night with three bands and 20-minute changeovers, that recall is the difference between mixing the show and rebuilding it.\u003c\/p\u003e\u003ch2\u003eEight effects, ten graphic EQs, eight DCA groups\u003c\/h2\u003e\u003cp\u003eThe onboard DSP carries eight effects engines and ten graphic EQs, so reverbs, delays and monitor-wedge EQ live inside the console rather than in a rack. Eight DCA groups let you ride all the drums or all the vocals on one fader without summing them, on top of a stereo bus and a sub bus. A single expansion slot accepts an optional expansion card for connecting a stage I\/O rack.\u003c\/p\u003e\u003ch2\u003eAudio performance in numbers\u003c\/h2\u003e\u003cp\u003eTotal harmonic distortion is under 0.05% from 20 Hz to 20 kHz at +4 dBu into 600 ohms, and frequency response is +0.5, -1.5 dB across the same band. Dynamic range is 110 dB at the DA converter and 107 dB input to omni out, equivalent input noise is -128 dBu, and adjacent-channel crosstalk is -100 dB.\u003c\/p\u003e\u003ch2\u003eRecording, size and power\u003c\/h2\u003e\u003cp\u003eNuendo Live ships with the console for multitrack capture, alongside a quick guide and power cord. The TF3 is 866 mm wide and 599 mm deep, weighs 17.0 kg, and runs on 100 to 240 V at 110 W. An FC5 foot switch is optional.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003eYamaha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003eTF3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd\u003eQuick Guide, Power Cord, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eStrings\u003c\/th\u003e\n\u003ctd\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutline\u003c\/th\u003e\n\u003ctd\u003e32 + 1 (Master)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput channel functions\u003c\/th\u003e\n\u003ctd\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eI\/O\u003c\/th\u003e\n\u003ctd\u003e32 mic\/line (XLR\/TRS combo) + 2 stereo line (RCA pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOn-board processors\u003c\/th\u003e\n\u003ctd\u003e8 Effects + 10 GEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFader\u003c\/th\u003e\n\u003ctd\u003e100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eTotal harmonic distortion\u003c\/th\u003e\n\u003ctd\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd\u003e110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003ctd\u003e–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd\u003e110 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e866 mm (34.1in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eNet weight\u003c\/th\u003e\n\u003ctd\u003e17.0 kg (37.5lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOptions\u003c\/th\u003e\n\u003ctd\u003eExpansion Card, Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eColour\u003c\/th\u003e\n\u003ctd\u003e24-Channel Digital Mixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":52619624251682,"sku":"TF3-MIXER","price":4799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/7776-1__67539.1788331888.1280.1280.jpg?v=1790231510"},{"product_id":"yamaha-tf1-16ch-digital-mixer","title":"Yamaha TF1 16-Channel Digital Mixer","description":"\u003ch1\u003eYamaha TF1 16-Channel Digital Mixer\u003c\/h1\u003e\u003cp\u003eYamaha TF1 16-Channel Digital Mixer is the compact console for a band that mixes its own shows, a small venue or a church that wants recallable preamps and motorised faders in a desk one person can carry. TouchFlow Operation puts the channel you touch on the screen, so you mix by hand rather than by menu. It also captures the show, with Nuendo Live in the box.\u003c\/p\u003e\u003ch2\u003eTouchFlow Operation and motorised faders\u003c\/h2\u003e\u003cp\u003eTouch a channel strip and its processing fills the screen, ready to adjust. The faders are 100 mm motorised units with 10-bit resolution and a range from +10 dB down to -138 dB before minus infinity. Save a scene per band or per service and every fader returns to its position on recall.\u003c\/p\u003e\u003ch2\u003e16 recallable D-PRE preamps at 48 kHz\u003c\/h2\u003e\u003cp\u003eSixteen D-PRE preamps store their gain with each scene, so the inputs are already set when the act walks on. The console runs at a 48 kHz sampling rate, with equivalent input noise of -128 dBu at maximum gain, so a quiet vocal mic stays quiet.\u003c\/p\u003e\u003ch2\u003eEight effects, ten graphic EQs, eight DCA groups\u003c\/h2\u003e\u003cp\u003eThe onboard DSP provides eight effects engines and ten graphic EQs, so reverb, delay and monitor-wedge EQ stay inside the desk. Eight DCA groups let you ride the drums or the vocals on one fader without summing them, over a stereo bus and a sub bus. One expansion slot takes an optional expansion card for a stage I\/O rack.\u003c\/p\u003e\u003ch2\u003eAudio performance in numbers\u003c\/h2\u003e\u003cp\u003eTotal harmonic distortion is under 0.05% from 20 Hz to 20 kHz at +4 dBu into 600 ohms, and frequency response is +0.5, -1.5 dB across that band. Dynamic range is 110 dB at the DA converter and 107 dB input to omni out, and adjacent-channel crosstalk is -100 dB.\u003c\/p\u003e\u003ch2\u003eSize, power and rack options\u003c\/h2\u003e\u003cp\u003eThe TF1 is 716 mm wide, 599 mm deep and weighs 13.5 kg, running on 100 to 240 V at 100 W. Nuendo Live, a quick guide and a power cord are included. The RK5014 rack-mount kit and the FC5 foot switch are optional extras.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003eYamaha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003eTF1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd\u003eQuick Guide, Power Cord, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eStrings\u003c\/th\u003e\n\u003ctd\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutline\u003c\/th\u003e\n\u003ctd\u003e24 + 1 (Master)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput channel functions\u003c\/th\u003e\n\u003ctd\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eI\/O\u003c\/th\u003e\n\u003ctd\u003e24 mic\/line (XLR\/TRS combo) + 2 stereo line (RCA pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOn-board processors\u003c\/th\u003e\n\u003ctd\u003e8 Effects + 10 GEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFader\u003c\/th\u003e\n\u003ctd\u003e100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eTotal harmonic distortion\u003c\/th\u003e\n\u003ctd\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd\u003e110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003ctd\u003e–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd\u003e100 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e716 mm (28.2in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eNet weight\u003c\/th\u003e\n\u003ctd\u003e13.5 kg (29.8lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOptions\u003c\/th\u003e\n\u003ctd\u003eRack-mount Kit RK5014, Expansion Card, Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eColour\u003c\/th\u003e\n\u003ctd\u003e16-Channel Digital Mixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":52619624907042,"sku":"TF1-MIXER","price":4199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/7777-1__14581.1788331895.1280.1280.jpg?v=1790231511"},{"product_id":"yamaha-mg16xu-mixer-w-digital-fx-and-usb","title":"Yamaha MG16XU 16-Channel Analogue Mixer with Effects and USB","description":"\u003ch1\u003eYamaha MG16XU 16-Channel Analogue Mixer with Effects and USB\u003c\/h1\u003e\u003cp\u003eYamaha MG16XU 16-Channel Analogue Mixer with Effects and USB is the 16-channel analogue desk for a covers band, a small venue or a school hall that wants ten mic preamps, onboard effects and a USB recording interface in one rack-mountable unit. Eight one-knob compressors and a sweepable mid EQ handle a full band, and the SPX reverb means one less box in the rack.\u003c\/p\u003e\u003ch2\u003eTen D-PRE preamps, twelve input channels\u003c\/h2\u003e\u003cp\u003eEight mono channels take a mic or line source, two more switch between a mic and a stereo pair, and two stereo line inputs round out the twelve. Each D-PRE preamp offers +48 V phantom power and a 26 dB pad for hot sources, with equivalent input noise of -128 dBu at full gain. A peak LED fires when the post-EQ signal sits 3 dB below clipping.\u003c\/p\u003e\u003ch2\u003eThree-band EQ with a sweepable mid\u003c\/h2\u003e\u003cp\u003eEvery band gives 15 dB of boost or cut. The high shelf sits at 10 kHz and the low shelf at 100 Hz, while the mono-channel mid is a peaking band you sweep from 250 Hz to 5 kHz to find the exact frequency that is muddying a rhythm guitar or ringing in a wedge. Stereo channels get a fixed 2.5 kHz mid.\u003c\/p\u003e\u003ch2\u003eEight one-knob compressors\u003c\/h2\u003e\u003cp\u003eEight channels have a compressor on a single knob that sets gain, threshold and ratio together. The threshold moves from +22 dBu down to -8 dBu as the ratio rises from 1:1 to 4:1, with attack around 25 ms and release around 300 ms. It keeps a vocal or a bass sitting where you put it without stopping the show to adjust.\u003c\/p\u003e\u003ch2\u003eSPX effects and 24-bit, 192 kHz USB\u003c\/h2\u003e\u003cp\u003eThe SPX processor delivers reverb and delay from the desk, fed from one of the four aux sends and returned to the mix, with an optional FC5 foot switch to mute the effect return between songs. USB carries two channels in and two out at up to 24-bit, 192 kHz, and the box includes download details for Steinberg Cubase AI plus a Cubasis LE iOS app licence.\u003c\/p\u003e\u003ch2\u003eFour aux sends, four groups, twin meters\u003c\/h2\u003e\u003cp\u003eFour aux sends, one feeding the effects, leave three for monitor mixes or outboard. Four group buses gather drums or backing vocals onto single faders ahead of the stereo bus, alongside a monitor output and a headphone output. Two 12-segment LED meters read from -30 dB to peak, channel crosstalk is rated at -78 dB, and distortion is 0.03% at +14 dBu across 20 Hz to 20 kHz.\u003c\/p\u003e\u003ch2\u003eMetal chassis with the rack kit included\u003c\/h2\u003e\u003cp\u003eThe metal chassis is 444 mm wide, 500 mm deep and weighs 6.8 kg, and the rack-mount kit ships in the box. It runs on 100 to 240 V mains and draws 30 W.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBrand\u003c\/th\u003e\n\u003ctd\u003eYamaha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eModel\u003c\/th\u003e\n\u003ctd\u003eMG16XU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eStrings\u003c\/th\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eOutline\u003c\/th\u003e\n\u003ctd\u003eOn-board processors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput Channels\u003c\/th\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eBus\u003c\/th\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eInput Channel Function\u003c\/th\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ HIGH\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ MID\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eEQ LOW\u003c\/th\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePEAK LED\u003c\/th\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eLevel Meter\u003c\/th\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eNet weight\u003c\/th\u003e\n\u003ctd\u003e6.8 kg (15.0 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;\"\u003eColour\u003c\/th\u003e\n\u003ctd\u003e16 Channel Analog Mixer W\/ Effects \u0026amp; Usb I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":52619625431330,"sku":"MG16XU","price":899.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/0066\/2818\/files\/7778-1__38007.1788331901.1280.1280.jpg?v=1790231515"}],"url":"https:\/\/guitar.com.au\/collections\/p-a-live-sound.oembed","provider":"Guitar World","version":"1.0","type":"link"}