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Anyone who plays an amplified acoustic guitar on stage knows what a challenge it is to get a sound thatrs as inspiring as playing the instrument acoustically. The AD-10 is your solution to this age-old problem offering advanced sound tools that enable you to achieve rich natural acoustic tones every time you perform. At its core the AD-10 is a fully featured dual-channel acoustic preamp/DI pedal with premium audio quality deep sound-shaping options and flexible connectivity. On top of that ambience chorus and delay effects are built in eliminating the need to ca'ry external sound processing.
But the AD-10 takes acoustic preamp design to an all-new level with its standout featuremdash;BOSSrs groundbreaking Acoustic Resonance processing. This advanced tech restores the complex body and string resonances that are lost with most pickup systems bringing back the expressive organic vibe thatrs so vital to the acoustic experience. And the features keep on coming with transparent anti-feedback controls memories for sound setups an 80-second looper USB audio and much more. Hugely powerful yet simple to use the compact AD-10 is your all-in-one companion for realizing impressive acoustic tones in every performing environment.
Amplifying your acoustic guitar with the ACS Pro is a truly inspiring experience. BOSS engineers worked tirelessly to accurately reproduce the instrument’s fast transient response and natural` three-dimensional feel` and each amplifier element was carefully developed to achieve this. A powerful bi-amp design with extended peak power delivers tight` high-definition sound with ultra-clean broadband frequency response. The custom woofer and dome tweeter feature innovative materials and precision design points that work together to fill the stage with rich` naturally diffused sound. Other fine details include a unique cabinet construction method that eliminates unwanted resonances` and an integrated tilt-back design for maximum projection.
The ACS Pro’s guitar channel features a discrete analog input circuit that provides ample headroom for the quick attack and wide dynamic range of the acoustic guitar. Also included is BOSS’s Acoustic Resonance` which employs advanced processing to eliminate the hard` sterile sound produced by the piezo pickups in most stage guitars. This powerful feature not only enhances the character of your pickup` but also restores the complex natural resonances that are so often lost when amplifying your acoustic. The channel provides a three-band EQ as well` plus a phase switch and notch control for keeping feedback issues at bay. Two types of chorus effects and a guitar-optimized reverb are also on hand to add a finishing touch to your sound.
The ACS Pro also includes a dedicated mic channel` giving singing guitarists a compact` all-in-one amplification solution. A discrete analog input circuit delivers full` clear sound` and phantom power is on tap for using studio-grade condenser microphones. There’s also a three-band EQ` phase switch` and anti-feedback notch control` plus top-quality delay/echo and reverb effects to enrich your vocal sound. If you’re using the ACS Pro for guitar only` this channel can alternately be used to mic up your acoustic. For players that use advanced setups` it also works great for blending another amplification source installed in the guitar` such as a second pickup or an internal mic.
A standout feature of the ACS Pro is its vocal harmony function` which creates live harmonies as you sing and play guitar. It all happens automatically` so there’s no complicated setup needed. Your chord progressions are analyzed in real time` generating impressive harmonies perfectly tuned to the key of your song. And if you modulate to a new key` the intelligent processing follows along smoothly and accurately. Two different harmony types are available` plus a unison setting that doubles your voice for more impact. The amp’s built-in looper provides even more creative fun` allowing you to build live backing with guitar` vocals` effects` and more.
The ACS Pro’s rear panel is well stocked for your interfacing needs. Dual DI/Line outputs are provided on XLR connectors` and each features a versatile mode switch for outputting both channels mixed together` or individual channels direct or post-effects. There’s also an aux input with level control` perfect for playing backing music from your mobile device. A USB jack offers a direct computer connection to a DAW` while the Rec/Phones jack provides a standard ¼-inch stereo connection for quiet practice sessions or recording to portable devices. Numerous jacks are also available for controlling the harmony function` looper` effects` and more via optional footswitches.
n>SpecificationsRated Power Output120 W (Woofer: 100 W` Tweeter: 20 W)Nominal Input LevelMIC INPUT: -33 dBu (2.5 k ohms)
GUITAR INPUT: -10 dBu (5 M ohms)
AUX INPUT: -8 dBu (10 k ohms)Speaker20 cm (8 inches) Woofer x 1` 2.5 cm (1 inch) Dome Tweeter x 1ControlsPOWER switch
MASTER knob
TWEETER ATT button
MUTE button
[MIC]
PAD button
PHANTOM switch
VOLUME knob
BASS knob
MIDDLE knob
TREBLE knob
ANTI-FEEDBACK knob
PHASE button
DELAY/ECHO knob
REVERB knob
[GUITAR]
PAD button
ACOUSTIC RESONANCE button
VOLUME knob
BASS knob
MIDDLE knob
TREBLE knob
ANTI-FEEDBACK knob
PHASE button
CHORUS knob
REVERB knob
[HARMONY]
ON button
TYPE button
LEVEL knob
[LOOPER]
LOOPER button
STOP/CLEAR button
[AUX]
LEVEL knob
[DI/LINE OUT]
MIC/MIX: OUT SELECT switch
GUITAR/MIX: OUT SELECT switchIndicatorsTWEETER ATT
MUTE
[MIC]
PAD
PHASE
[GUITAR]
PAD
ACOUSTIC RESONANCE
PAHSE
[HARMONY]
ON
HIGH
UNISON
LOW
[LOOPER]
REC
PLAY
OVERDUBConnectorsMIC jack: Combo type (XLR` 1/4-inch TRS phone type)
GUITAR jack: 1/4-inch phone type
AUX IN jack: Stereo miniature phone type
PHONES/REC OUT jack: Stereo 1/4-inch phone type
DI/LINE OUT MIC/MIX jack: XLR type
DI/LINE OUT GUITAR/MIX jack: XLR type
FOOT CONTROL LOOPER/CHORUS jack: 1/4-inch TRS phone type
FOOT CONTROL HARMONY/MUTE jack: 1/4-inch TRS phone type
GA-FC jack: 1/4-inch TRS phone type
USB port: USB B type
AC IN jackPower Consumption50 WAccessoriesOwner's manual
Power cord
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