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The Vintage 2 is protected by Vintage Hand-Brushed Finish, which is applied using the same technology and provides the benefits of UV coating as our proprietary Full-Pore High-Gloss Finish. Thanks to hand buffing, the guitar has a pleasing patina reminiscent of traditional instruments. Combined with other features, such as a green abalone rosette and faux ivory binding, the design of the Vintage 2 breathes the image of a fine aged instrument enhanced by state-of-the-art construction technologies. Like all other Vintage models, the guitar features a solid-wood construction that combines a Sitka spruce soundboard and Indian rosewood back and sides to produce a rich balanced sound.
Sound is the most important consideration for Furch guitars. Their excellent acoustic qualities are the result of state-of-the art technologies, proprietary production processes and precision craftsmanship combined with the use of the best available tonewoods. The Vintage 2 is no fluke. Hear its exceptional sound quality for yourself with Tonepedia’s app. You can compare its unique sound with other Furch models and also guitars from other manufacturers.
The premium nature of the Vintage 2 is underscored by the fact that the soundboard is individually tuned using the voicing process, which enhances the instrument’s tonal properties to the highest level. Thanks to that, the Vintage 2 has a crystalline clear, harmonically rich, balanced, and highly dynamic sound across the entire tonal spectrum.
The instrument is protected by Full-Pore Vintage Hand-Brushed Finish, a special finish that provides excellent surface protection and accentuates the structure of the wood at the same time. Final hand buffing leaves the guitar with an attractive patina that is reminiscent of aged musical instruments.
The attractive look of the Vintage 2 is underscored by body, headstock, and fingerboard binding made from faux ivory, and a top adorned by herringbone purfling.
The soundhole is adorned by a rosette featuring a double ring with green abalone inlay and a contrasting black and white line.
A high precision, dual-action truss rod maintains neck stability and allows for fine adjustment of the neck relief, bilaterally. The truss rod is housed in a highly rigid carbon casing which enables a very smooth and controlled neck relief, ensuring the best playability and enduring optimal setup.
The guitar has an excellent tuning stability courtesy of Gotoh SE700 Gold Patina machine heads with a 1:15 gear ratio.
| Available body shapes | D, Dc, OM, OMc, OOM, RS |
| Neck-to-body joint | 14th fret (OOM 12th fret) |
| Solid top - grade | Sitka spruce - AAA |
| Solid back and sides - grade | Indian rosewood - AAA |
| Binding | Faux ivory |
| Purfling | Herringbone |
| Rosette | Double ring with green abalone inlay and black and white line |
| Bridge | Ebony |
| Bridge pins | Ebony |
| Saddle | TUSQ fully compensated |
| Bridge string spacing | 55 mm |
| Top finish | Full-Pore Vintage Hand-Brushed Finish |
| Back and sides finish | Full-Pore Vintage Hand-Brushed Finish |
| Pickguard | Faux tortoise |
| Nut width | 45 mm |
| Available nut width | 43 mm and 48 mm |
| Neck reinforcement | CNR System with dual-action adjustment |
| Neck profile | Furch Soft V |
| Scale length | 650 mm |
| Fingerboard material | Ebony |
| Fingerboard radius | 400 mm |
| Fingerboard front inlay | White pearl quadratic inlays |
| Fingerboard side inlay | Black position dots |
| Fret finish | Polished |
| Headstock overlay | Ebony |
| Fingerboard and headstock binding | Faux ivory |
| Neck material | African mahogany |
| Machine heads | Gotoh SE700 Gold Patina - gear ratio 1:15 |
| Machine head buttons | Gold patina |
| Zero fret | TUSQ |
| Nut string spacing (45 mm) | 38 mm |
| Nut string spacing (43 mm) | 36,6 mm |
| Nut string spacing (48 mm) | 40,1 mm |
| Strings | Elixir Ph-Br Nanoweb 12-53 |
| Neck finish | Full-Pore Smooth-Slide Satin Finish with antibacterial additive |
| Headstock finish | Full-Pore Vintage Hand-Brushed Finish |
